IMG_4483.JPG

AMERICA’S BITCHES BREW

Brooklyn Hospital was under siege during the first wave of the coronavirus outbreak in April. I live one block away from the Civil War era hospital. As ambulances raced through the empty streets, I could hear the echo of the sirens reverberate off of the buildings nearby.

The sirens wailed for weeks. To keep my mind occupied I had thrown myself into my work to preserve my sanity. From my brown upholstered chair in the corner of my apartment, I could hear every ambulance that passed by. At the sound of every siren, I could envision the darkness that was about to overtake the nation.

A tsunami of past traumas crashed into my mind as I recalled the lasting impacts of 9/11 on New York City, the country’s abysmal public healthcare system, and America’s world-renown legacy as one of the most viscously racist nations in the history of mankind.

I was defiant in my refusal to be mentally waterboarded by the sensationalism of the American media. Having already experienced NYC during 9/11, I already knew that the city was in dire straits in the years ahead. With the hourly increase in ambulance sirens and the death tally rising on my television screen, I clicked off the news media and turned up the volume of my soulful music collection.

In the weeks ahead, I dove into the business deals that I was working on and leaned heavily on my depression coping mechanisms. I was successfully navigating my way through murky mental waters until May when the recorded murders of two separate unarmed black men were released for the world to consume.

I sat there staring into the nothingness that I was feeling inside. Wondering yet again how America first contracted this disease of ruthless systemic racism. For a moment of relief, I imagined the scene from the television series Game of Thrones where the fictional character, Jorah Mormont, was inflicted with the disfiguring Grayscale skin disease by the exiled Stone Men. The disease of American systematic racism would reveal its hardened gray, scaly, scarred skin to us all in the midst of this devastating public health crisis.


(Silverbacks Note: Greetings from Amsterdam North! Frankly, it’s been difficult for me to write over the last several months. I began to find my stride in beginning to share my personal narrative with you in Music Is Life and Power of Love. I still have more to share on that basketball journey but it’s been tough to write from a negative headspace. As I attempt to find my roar again, I have been busy growing other aspects of the Soulful Silverback brand.

Since I last published a piece, we released the Silverback’s first reading mixtape on American racism titled “Chaining Day” (check out the fire album cover art here), we launched our first paid advertising marketing campaign (Oy! the comment section was divisive), we replenished the t-shirt inventory on the Silverbacks Shop (go cop some merch!) and registered the business as a company in the Netherlands (pretty dope, right?). More on this in the coming months.

It’s often been said that the pen is mightier than the sword. And y’all know I’m damn nice with my pen. This vignette is one of those occasions where I felt that I had to pick up my sword. Warning: parental advisory, colorful language in the words ahead.

Cheers,

P.S. – Click on the section hyperlinks to listen to the tunes.)

BITCHES BREW

I sank deeper into the padding on the chair, deeper into thought, and was stunned by the intersectionality of this mounting crisis. I could taste the bitterness of America’s racist bitches brew hit the bumps on my palate.

It’s all of these nauseating miasmic ills mixing together: this nation’s continued bloodthirsty investment in the military-industrial complex; the amoral marriage of corporate profits to citizens’ healthcare; and the nation’s savage legacy of importing humans and legally classifying them and their offspring as non-persons.

These ingredients are America’s handcrafted recipe, her lasting legacy on the world stage, and her most lethal weapon; her bitches brew if you will. This concoction is so potent that Adolf Hitler was inspired by America’s centuries-long systemic performance that he commissioned the formula to be the foundation for his own deadly race laws.

During the last week in May, my phone began to vibrate as text messages from family, friends, and acquaintances from all over the world.

Big Nev! Just checking in on you. I wanted to make sure you’re good.

Hi my love, I wanted you to know that Mom is praying for you always.

Mate, how are you going? Crazy what’s happening in the States.

My initial feelings of being cared for were quickly switched to dread as I scrolled past a notification that Minneapolis law enforcement had killed an unarmed black man while in police custody. Given the flood of text messages, I instantaneously knew the visuals of the murder were likely to be devastating.

Just weeks before in early May, a cell phone recording was released of armed white men hunting and shooting a Black runner, Ahmuad Arbery, in the southern State of Georgia. In the chilling video, you can see Ahmad fleeing his attackers only to be cornered and shot dead in the street. His lifeless Black body lying facedown on the pavement in the southern breeze was an all too familiar image of the antebellum south.

Weeks later in late May, as more concerned text messages poured in, it only fortified my resolve to avoid the video of George Floyd’s execution until I was mentally prepared for the visuals. I continued reading the text messages.

How are you holding up Neville?

I can’t believe that this is happening. I am so sorry bro.

Hey Nev, be safe out there big fella! We’re worried about you.

As more and more concerned text messages from mostly white friends and acquaintances arrived, the more bewildered and enraged I became. The cushion beneath me was morphing a launchpad and I was beginning to rumble in anger. I wanted to lift off and explode in response to the text messages.

WHAT THE FUCK DO YOU MEAN AM I OK?! I LIVE MY LIFE WITH THIS EXISTENTIAL FEAR!! I EXPECT THIS BEHAVIOR FROM WHITE FOLKS. THE REAL QUESTION IS: ARE YOU FUCKING OK WITH WHAT YOU SAW?

Delete, delete, delete, you can’t respond with that I thought. These folks are concerned about you.

But it was too late, I had already been poisoned by the news of the day.

IMG_4483.JPG

WHAT MORE CAN I SAY

I needed to calm down and quiet the war going on inside. I put my phone down and went back to working on a large technology partnership with Jay-Z’s entertainment company, Roc Nation.

Eight months prior, I had delivered one of the most riveting and personal business pitches to the leadership team at Roc Nation. Jay-Z had once compared the technology industry and its lack of diversity, inclusion, and retention to Major League Baseball prior to integration on his song Legacy.

“We gon’ start a society within a society

That’s major, just like the Negro League

There was a time America wouldn’t let us ball

Those times are now back, just now called Afro-tech”

With rhymes like that, it wasn’t lost on me that I was a Black man selling technology to the company he founded. It was a proud moment in my career to stand at the plate in the sleek Roc Nation conference room and deliver a homerun presentation to win their technology business. Just like Jackie Robinson stealing home plate decades prior, I was able to exemplify that diversity, inclusion, and retention can benefit corporate profits when our talents are unshackled and enabled to flourish.

When I brought the deal to my company I was again confronted with the taste of America’s racist bitches brew. I scheduled a conference call to discuss the details of the pricing negotiation. Two of my white bosses were on the conference call and when I joined the call I overheard their conversation.

“This is why I don’t do business deals with any Roc Nation type of companies,” one White boss scoffed to the other.

“Oh no, the guy we are working with is a White guy,” the other white boss replied to his off-color comment. “He’s not Black.”

It’s tough to describe the complexity of my feelings on that conference call but you know that bathroom scene from the movie Trading Places?

There’s an important scene near the end of the movie.

During the scene, Billy Ray Valentine, the main character, is hiding in a nearby stall and overhears the details of brothers Randolph and Mortimer Duke’s nefarious experiment as they settle their infamous $1 wager in the bathroom.

I guess you could say that I felt like Billy Ray overhearing the Duke brothers’ conversation except these two knew I was present on the call. But it was too late, they had already exposed their diseased mindset about Black people.

I remained silent on the call as that all too familiar taste of casual cultural racism filled my throat like vomit. I wrestled internally as to whether I should have made a witty remark or let the exchange slide entirely.

I didn’t address the offensive exchange and focused on the task at hand. This was not the time for activism, so I brushed off the comments and forged ahead with the internal conversation.

Months later when the deal closed in June, one of those white bosses had the audacity to attempt to tie my success with Roc Nation to the timing of George Floyd’s murder.

“Seems like George Floyd’s death really helped us close this deal,” he said in a pleasurable tone.

“Don’t tie that man’s tragic execution to my success in this deal,” I bristled. “The two events are not correlated.”

I was confronted with the casual nature of cultural racism at every turn. The reality of Jay-Z’s sharp lyrics from The Story of O.J. came to mind and my mood was dampened.

“Light nigga, dark nigga, faux nigga, real nigga

Rich nigga, poor nigga, house nigga, field nigga

Still nigga, still nigga”

The Grayscale skin disease was spreading and taking its toll on my mental health.

ALABAMA COLTRANE

It took me weeks but I finally mustered up the courage to watch the full 8:46 minutes of George Floyd’s execution.

Late one night around the midnight hour in early June, I turned off all of the lights and closed the shades to be in total darkness. I slipped into my bed and curled up under the covers for what I was about to see and experience. I took a deep inhale and pressed play on the YouTube video.

There had been so much talk of the recording that I was not surprised by the images on my screen. It was just as devastating as I had feared.

I had been conditioned to expect white Americans to treat Black bodies with excessive force. However, what struck me the most about this video was the defiant entitlement, comfort, and smugness on the face of the white officer as he pressed his knees deeper into the skin on George Floyd’s neck. You could see from the expression on the officer’s face that he was relishing every moment of the execution.

I COULD NOT BELIEVE THAT THIS WAS STILL HAPPENING WHILE THE PLANET IS BATTING A FUCKING DEADLY PANDEMIC AT A SCALE THAT WE HAVE NOT SEEN IN OVER 100-YEARS! HOW COULD THIS HAPPEN WITH PEOPLE STANDING RIGHT THERE?

American racism was crafted so that the enslavement was intellectual, moral, and legal. American racism is the real Grayscale skin disease from fictitious television series – except its white folks that are the asymptomatic carriers and they have infected us all with this highly contagious disease that has been slowly destroying the nation.

This strain of racism may be as infectious as “Grayscale” but its impact is excruciatingly more real. Black folks in this nation have been suffering from our daily engagement with this disease-riddled system for centuries.

American racism and white supremacy rob white people of the experience of being fully human. This particularly evil brand of racism is a disease that white people need to be cured of. Throughout history, the experience of attaining an elevated or supreme position within one’s community is earned through the content of one’s character and not by the birthright of their skin color.

I could go on and on about this topic but I refuse. I’m so tired of this shit. I fucking hate writing about racism.

The reality is plain and simple for the world to now see: America is not a healthy environment for the overall wellbeing of Black Americans across all socioeconomic backgrounds.

Sadly, unlike the television series, there is no healing ointment or witches brew to cure us of this disease either. Not Samwell Tarley, not Joe Biden, or even Jesus Christ can apply a balm to our skin to heal us from this affliction. We are irrevocably disfigured as People because racism is codified into the nation’s governing documents, cultural norms, and workplaces.

Sipping on America’s piping hot brew is slowly killing me and I have to protect my future generations from grappling with these feelings of worthlessness and despair.

America’s demons will never release this nation from its clutches and I refuse to fight against the federal and cultural racism that will likely result in my dead body being tossed onto the already mountain-high pile of young, gifted, and Black bodies that have spoken out against injustice before me.

I had to finally give up on America and flee her borders for my physical safety, my mental sanity, and my future legacy.

It was time to put down the sword and apply a healing balm to my hardened gray skin before it was too late.

RIP AMHAUD ARBERY & GEORGE FLOYD

Racism

Racism hurts both sides. One side is antagonized unjustly (because having a different skin color is not a crime!) and one side lives in fear of retribution for the senseless injuries they have caused… fear of justice.

Racism robs us of potential friends, spouses, business partners, and soldiers.

Racism has no merit, no historical benefit, no positive outcome.

The athletes who peacefully protested were always kneeling against racism.

Not the police.
Not the flag.
Not our country.

But racists (yes, racists) who are afraid of change, afraid of admitting historical atrocities, afraid of justice… racists made what is called a “straw man argument.” This is a bad-faith and illogical way of arguing where one MISREPRESENTS an opponent’s position so it is easier to pull apart (like a straw man).

So racists said, “They hate the police.”
Racists said, “They hate the troops.”
Racists said, “They hate our country.”

No. They hate the poison of racism. And so do I.

Racism is like an addiction. You can’t overcome it if you don’t admit you have a problem. You’ll lie to yourself to maintain it. You’re afraid to confront it.

“Well, I don’t think I’m a racist.”

Well nobody does! It’s not the point. “Racist” isn’t something you permanently are or you aren’t. Racism is something you have to constantly fight and try to defeat.

Did you judge that person by their skin color alone and no other context? That was a racist thing to do. At that moment you are a racist.

Did you see video of police killing an innocent Black man and feel the need to somehow defend the police officers? That’s racist. You’re a racist.

Until you can see how their heinous act was clearly murder and an abuse of the sacred power that law enforcement is granted for the betterment of society, you remain a racist.

And that makes you poison; to yourself and to this country which is and always has been a melting pot of diversity.

Can anyone even fathom the goodness we have gained from cultural exchange? The music alone… how can we ignore the benefits of bringing together all of the peoples of the world to create America?

Diversity is good. Diversity is beautiful. Diversity is healthy.

The tribalism must end. The exclusion must end. The racism must end.

For the sake of all.

This article was originally published on 29 May 2020.

Similar Read: DIPLOMACY AND WAR: KNOW THE DIFFERENCE

Can Music Programs Survive COVID-19?

[New Contributor]

Even during quarantine, people are still trying to continue activities that have been affected by the virus. Basketball players are practicing at home, teachers are using distance learning applications, and waitresses are learning to wear masks and constantly wash tables. But one often untouched area that is having trouble adapting from quarantine is the school music organizations. Clubs like jazz band and choir have to practice in close proximity with each other in order to practice harmoniously. Now, with quarantine and the new back to school restrictions, the student musicians will have to switch to online rehearsals. 

According to the CDC, COVID-19 is transmitted from person to person through microscopic droplets in the air. Activities like singing or talking in loud voices spread these types of droplets, eliminating the possibility of the choir practicing in proximity with each other. 

With the advent of video conferencing technologies like Zoom, people don’t necessarily need to be in the same room to communicate effectively. Numerous groups have joined together on virtual platforms and sung together already. For CNN’s 2020 graduation special, high school students from the choir joined together to sing the Star Spangled Banner. There are numerous Youtube Channels, such as Quarantine Choir, that continue to sing despite the distance. 

In addition, music teachers have still found ways to continue music lessons. The Choir teacher at Round Rock High School compiled video footage of her students singing and displayed them to the school.

Closing choir has more implications than just for schools. Many religious ceremonies involve singing, such as Sunday Mass at Church. A study found that singing caused 53 of the 61 choir members testing positive and 102 of 130 members of an Amsterdam choir developed COVID-19 after a performance, and four people associated with the choir died. In Austria, 43 of 44 participants in a choir seminar tested positive. 

Regardless of the distance between the musicians, harmony comes with dedicated, supervised practice. In an uncontrolled setting with distractions, dedicated practice is impossible. However, musicians also gain something by practicing at home. In a comfortable, relaxed environment they may be able to play better. Whether good or bad, stay-at-home musicians will give their audience a unique performance as they perform in the comfort, or discomfort, of their own home. 

Similar Read: Guidance Counseling in the Midst of COVID-19

POWER OF LOVE: PART II

Dribble, spin, hook shot, rebound.

Again.

Dribble, spin, hook shot, rebound.

He’s neva’ gonna come see you play, he doesn’t love you.

Dribble, spin, hook shot, rebound.

You’re not good enough for him to come see.

I was alone at Monsignor King Hall before practice one morning, working on my footwork.

The neckline of my green t-shirt was soaked in sweat. I was in the gym working my eleven year old love handles off to perfect my patented “drop step to the baseline” spin move.

The sound of the basketball bouncing off the kelly green floor and the squeaking of my sneakers were like music to my ears.

The season before I had fallen in love with basketball as a ball boy for the Monsignor King tournament. I had to be close to the action for the LaSalle high school game to witness one the nation’s top prospects, Ron Artest, play in the championship game.

My first teammates at St. Thomas Aquinas (STA) were a group of special kids: Izzy Bauta, Mike Blake, P.J. Marshall, Joey Romano, Nick Russo, and myself. We were coached by local mailmen, Joe Romano Sr., who was Joey’s dad, and John Browning.

Our team was good. Like, legendarily good. Our first season together we made a splash in Catholic Youth Organization (CYO) with an outstanding record. We’d easily score about 60 points a game. Any given game each of the starting five players could score 12-14 points each. I am still waiting for the local Catholic newspaper, The Tablet, to do a documentary on our successful run. We were unstoppaBULL. Get my drift? It was 1997 and who didn’t wanna be like Michael Jordan? Chicago was on fire that year, and so were we.

That year, people started to talk about how historically dominant we could become if we continued to play together throughout the summer.

And that’s saying somethin’. NBA Hall of Famer, Chris Mullen, used to workout on that floor and rumors have it that he once broke the backboards at Monsignor King Hall while practicing for the Dream Team before the ‘92 Olympics.

Yeah, so you could say that we were almost NBA Hall of Fame, Dream Team level nice, ok?

Anyway, that spring, we had won our first championship on a corner buzzer-beater against St. Rose. We had tasted the sweetness of victory and I wanted to improve my basketball skills over the summer.

But inside our apartment on 2525 Bedford Avenue, my world was crumbling. Dad was never home and the only time I’d hear from him was when he played music on Sunday’s. Sometimes he’d be so into his records that it felt like I was invisible to him.

With the hurt and anger towards my father growing, basketball was a much welcome distraction to muddle the chaos going on in my home and in my young mind. I had asked Mom if I could join karate to blow off steam but my mom felt that I might have been too much of a brute and injure the other kids my age. Not to mention that she just did not have the time to take me to practice with all that was going on in her life.

So when I came home from school energetically rambling about my desire to want to play on the basketball team, my mom initially rejected the idea. But she saw how excited I was and she finally relented with a little persuasion from another parent who offered to take me to weekly practices twice a week.

The turbulence when my dad would come home and the size of our cramped apartment felt like flying through rough air in a small airplane. The uneasiness from the tension created a cagey atmosphere that left me suffocating with resentment from how he had treated my mom and me.

Basketball was an escape to another dimension where I could be free to release the stress of my emotions. The more I poured my energy into the game, the more it gave me the fulfillment I was desperately searching for.


(Silverback’s Note: Read Power of Love Part: I, here. Remember, click on the section hyperlinks to listen to the tunes.)

OLÉ COLTRANE.

Inside Monsignor King Hall, her voice rumbles across the court.

“LET’S, GO, GREEN! LET’S, GO, GREEN!”

My mother, sitting in the wooden bleachers, leans back, takes a deeper inhale and continues to bellow. I can hear mom’s voice from the center circle.

Just like her prayer time every morning, that voice got louder, and louder, and louder.

I adjusted my yellow Rec Spec goggles as the referee was giving our team’s final instruction. I can’t even hear him.

“LET’S, GO, GREEN!” “LET’S, GO, GREEN!”

Soon it’s the only voice that everyone can hear in the gym. There’s six minutes on the game clock to begin the first quarter and the scoreboard is buzzing with electric current. Adrenaline is running through my veins. The referee toots his whistle and lobs the ball into the air.

I won the tip-off, and Mom switched to a more provocative cheer.

“YOU. CAN’T. BEAT THE GREEN, YOU CAN’T BEAT THE GREEN!,” she shouts as we got into our positions to run our first play of the game.

Looking back, her volume was a somewhat obnoxious level of support considering that our team was about to dismantle our opponents during the first few minutes of the basketball game.

Monsignor King Hall was the home court to one of the most ferocious boys junior high school basketball teams in the history of Brooklyn CYO sports.

From 1996 to 1998, the STA boys’ basketball team would rack up 149 wins and 1 loss. We didn’t have a team mascot or a nickname so our fans would cheer for us using the color of our green cotton t-shirts. Our loudest super fan was my mom, Madeline Louison. At 330 pounds, she was also our largest and most gangster, cheerleader as well.

I can feel her fierce love and undying support with every echo of her voice that rang through the gymnasium. It’s that same voice that I can still hear in the echoes of my mind, passionately encouraging me to push myself to be better to this day.

She’s still cheering me on and is the driving force behind my competitive passion. She’s still in my corner encouraging me to strive for more through the power of her love.

You see, Madi has always been the personification of the Bible. She embodies the ruthless ferocity described in the battles of the Christian Old Testament combined with the warm loving narrative of the redemption story told in the Christian New Testament. That’s how I described her to my therapist, anyway.

“You know I am an atheist, right?” Dr. Brown says to me in one of our early sessions.

“Yeah, that’s cool,” I respond as I am sitting across from him at a wooden table inside his apartment office.

“Tell me about your mother but with less Biblical references so I can understand,” he says with a slight grin that accentuates the shine in his brown skin.

I had just completed unpacking my father’s story of origin to my therapist and it was time to discuss my mother. I found myself in the therapist chair because I was experiencing an emotional block in 2014.

The woundedness of my father’s absence during my childhood and the effects of two colossally failed romantic relationships as a young adult had left me broken and searching for healing. I was struggling with emotionally connecting with humans – I felt unable to love.

“My mom and I have a really close bond,” I respond. “We’ve had to be there a lot for each other through the years…”

TAKEOVER.

My goggles were foggy from the perspiration. It was scorching outside and I could feel the heat rising off the gravel courts in the Coney Island public housing complex.

Our Dream Team was playing in our first summer tournament. We had made it to the championship of the 2nd Annual Stephon Marbury Basketball Classic.

Our team had not played hard enough in the first half to be competitive. It was halftime and Coach Romano was red in the face.

“Get your heads outta’ your asses and focus!” Coach Romano growled at halftime. He usually didn’t cuss at us but when he did his Brooklyn-Italian accent really came out.

Izzy and I plop our dense 180-pound frames into the lawn chairs. We both stood about 5’8 and our knees were protruding off the edge of the nylon seats. I cross my arms in frustration.

The PA announcer had been talking nonstop during the first half and it was good to finally hear some music blaring from the speakers set up near the courts. Jay-Z’s debut album, Reasonable Doubt, was playing during a break in the action.

Our team was not accustomed with losing and we began allowing the unfamiliar territory to disrupt our flow.

One of the parents passed around a bag of frozen orange slices to cool us down.

“Put those orange slices down and focus, Andy!” my teammate P.J. shouted. “You’re not boxing out!”

Focus, I thought.

How could I focus when all I wanted was for my Pops to come watch me play ball? I had so much heaviness on my heart. All of my teammates’ dads were there to watch them play. Even the ones that didn’t get much playing time.

Why doesn’t he want to hang out with me? I got game.

It wasn’t that I didn’t appreciate my mom being there. It was just that she didn’t know much about sports and I just wanted my dad’s guidance like all the other boys. Some of my teammates wondered if I even had a dad at home.

Basketball apparently was a “waste of time,” according to him but the game I loved had already given me more than he ever had.

“Pick your head up!” my mother commands. “Get your head in the game. You’re letting those little guys get the rebound over you!”

We were playing in a rough neighborhood against a gritty team of all Black players from Coney Island. I was the only Black kid on our team and you could tell that my White teammates or their parents had never played in such a lively environment. Matter fact, they were the only White people participating in the tournament, the only White people on the basketball courts, and most likely the only White people for a few blocks.

Far away from our home court and in strange surroundings we were down by 15 points. We had been down before but not by this large of a margin. The pressure of the deficit and the exuberance of the crowd was becoming increasingly stressful.

Maybe we weren’t as good as we thought?

The horn sounded to start the second half. I looked on as all of my teammates’ fathers assured their sons and provided final instruction.

At that moment, something switched inside of me. The separation from my own father felt more pronounced. I felt so alone, so unprotected, so wounded. In order to protect the vulnerability of my feelings, a menacing ball of anger ignited inside me.

Enough.

We inbound the ball and I beeline to my spot on the post and call for the ball with gusto. I wanted to get a bucket.

The shot went up and I found a body to crash into as the ball was in the air. I boxed out, snatched the offensive rebound out of the air and scored on the put back layup.

“Oh he’s a beast on the inside!” the color commentator says to start the second half commentary.

Damn right I am a beast! I’ll ball out without my Pops.

The sound of male validation sparked such a self-confident feeling inside of me that I began to chase it by playing harder.

“Great rebound, Andy!” shouted one of the White dads.

Keep rebounding, they can’t stop you.

We score on a few back to back possessions and cut into the lead going into the final quarter.

Every time I glanced over to the stands and remembered that my father was not there I felt my blood boil hotter and hotter. I wanted every damn rebound. I wanted every freakin’ loose ball. I wanted to squeeze every pebble on the basketball’s leather skin.

Who needs a Pops anyway?

I was on a roll and our opponents didn’t seem to have anyone on their bench to match my ferocity in the paint.

I began mouthing off at the referee after he called a loose ball foul on me. I was being too aggressive positioning for the rebound, he said.

“I didn’t even touch him!” I lashed out.

Okay… so I elbowed the kid. But I had no capacity to care even if I was playing on their turf.

“Callate la boca,” my mom shouts. I am chewing on my jersey to keep from erupting and I softly whisper into my jersey, “That’s such a bullshit foul call.”

Well, at least I thought I whispered it, as the referee whistles me for a technical foul.

Coach Romano is besides himself and Coach Browning has to hold him back from yanking me off the court by the strap of my goggles.

He decided he can’t take me out of the game, we had the momentum and we needed a big body in the paint for rebounds.

Coach Romano found his composure and Joey huddled up our players at the center circle.

“Keep your head in the game big guy,” my teammate Joey said, slapping me on the head. “We need you in the game to win this.”

With Joey’s pep talk, I regained my composure and got back to dominating in the paint.

The game was back and forth as we entered into the final minute of the championship. We had clawed back to take the lead by one point with 42 seconds remaining on the game clock.

Just then, out of nowhere, a rainstorm soaked the court. Everyone scattered for shelter ending the game with mere seconds left.

When we all returned the following week to play, we had found our winning confidence. With NBA rookie sensation, Stephon Marbury, watching court side, we walloped their asses for the remaining 42 seconds left in the contest.

Marbury, A Kid From Coney Island housing projects, had just completed his rookie season for the NBA’s Minnesota Timberwolves as a member of the now iconic 1996 NBA rookie draft class that featured future all-time greats Allen Iverson and Kobe Bryant.

It was an odd way to end such a hard-fought game but we were going to meet an NBA player and take home a giant trophy. I couldn’t contain my excitement. I didn’t care much for Marbury at the time, other than that I could brag to my friends that I was somehow closer to Michael Jordan.

I can still hear mom as we victoriously left the basketball court that day.

“YOU. CAN’T. BEAT THE GREEN, YOU CAN’T BEAT THE GREEN!”

My mom and I were in a joyous mood on that drive home in the minivan. Boy, did we need that victory to lift our spirits. Winning gave us something to celebrate. I still wanted my dad to be there, but it was great to look up from the passenger seat and not see her tears.

Mom switched on the ignition of the minivan to pull off. The choir picks up mid track where the song had left off earlier in the day. This time the choir sounds so angelic, so sweet.

“Jehovah Rapha” the choir croons.

“You’re my healer…” mom and I triumphantly join in unison as we try to hit the high notes of the songs crescendo. We both sound terrible.

It was in Coney Island that I began to understand what the lyrics of that gospel song really meant.

Basketball had provided a space to set my pent up emotions free. Jehovah Jireh.

The game had supplied me with the confidence and male validation that I was craving in my father’s absence. Jehovah Shamma.

All undergirded by the support and the healing love that my little heart so needed. Jehovah Rapha.

In addition to my teammates, Mom and I have always been a team. I consoled her through the sting of her tears and she soothed the intensity of my rage. Our wounds shared a common source but the power of our love was more than enough to bring us through any challenge we faced together.

When I reflect on that era of our lives together, one of the tracks on my favorite album by Jay-Z comes to mind. The lyrics on Blueprint (Mama Loves Me) remind me of the things I asked God for in my nightly prayers as a child.

“Mama loved me, Pop left me…” Jay begins. “Mama raised me; Pop I miss you. God, help me forgive him; I got some issues…”

Thanks for always being more than enough for me, Mom. You’ve always been the answer to my prayers.

Power of Love, to be continued…

Similar Read: POWER OF LOVE: PART I

POWER OF LOVE: PART I

I can hear mom’s voice battling with God in prayer. It’s the first thing I can hear even before I can open my eyes to start the day.

My bedroom is underneath my parents’ bedroom in the basement of the house.

Some mornings the murmurings of her voice cajoles me out of my sleep. Some mornings it jolts me out of my sleep. Some mornings her syncopation consoles me back into sleep.

She prays like someone having an argument on the telephone.

You know when you can’t hear the person on the other side of the phone call but you know that the side you can hear is winning because the passion in their tone is increasing?

This was the voice that woke me up. Every. Single. Weekday. At 6 am.

“LORD GOD, I’M COMING TO YOU IN THE NAME OF JESUS…”

I bet you her fists are balled right now, I think.

“YOU SAID IN YOUR WORD, OH GOD…”

Yep, she is definitely wagging her index finger in the air right now.

“HEAR THE CRY OF MY HEART, OH GOD…”

Ah, she’s slapping her chest again.

“BRING BACK MY HUSBAND, LORD! HEAL MY MARRIAGE! RESTORE THE YEARS THE LOCUSTS HAVE EATEN…”

Welp, that shit’s neva’ gonna happen.

“Time to get up for basketball practice,” I think to myself as I get out of bed.

I could hear that she was crying again. But unlike at night when she would wail herself to sleep, I could hear the fight in her voice in the morning. I could hear her grappling for her marriage, for her sanity, and for her survival at dawn.

I mean, how else can you manage raising four children playing sports, a full time job as a NYC public school teacher, studying for your Master’s Degree in English in the evenings, and emotionally reconcile with the implications of a wayward husband in the late 90s without seeking daily divine intervention?


(Silverback’s Note: Welcome back y’all! There’s so much to say about the global public health crisis that has most of us currently confined to our homes. Until we are safe to roam free, I am reminded that Nelson Mandela was imprisoned for 27 years and if Madiba could endure, then so can we. Blessings to you and your loved ones.

My last piece, “Music Is Life” triggered healing conversations and reflections for a lot of folks. I am so grateful for your feedback, thank you. The piece also unlocked my ability to share stories about what fueled my drive and focus on the basketball court.

If my father’s absence was the antagonist in my life story, then my mother’s presence was the protagonist. I am excited to share my love for my mother, the game of basketball, and most importantly, the love for a lifelong journey I have embraced through therapy. Please enjoy reading this very special 3-part series. For the first time ever, we present Power of Love.

P.S. – Click on the section hyperlinks to listen to the tunes.)

MORE THAN ENOUGH.

It was around 1996 when we learned of my father’s infidelity. This news was a devastating blow to our home. I was unable to fully contextualize the damage but I knew that my dad was with another woman. Their explosive arguments were burning hotter by the week.

Raising four young children, effectively as a single parent, was taking its toll on mom and she had ballooned to 330 pounds.

I learned one morning that her nightly tears often continued well into her twenty-five minute drive into work. She was a public school English teacher and on the days that I had off from Catholic school, I would witness how she began most mornings in the car.

The northbound drive from East Flatbush to Bedford Stuyvesant in the late 90s was not pleasant.

I wanted to listen to this new rapper named Jay-Z on the radio but Mom always wanted to listen to the Brooklyn Tabernacle Choir. She loved this one particular album on cassette, God Is Working. Oh man, did she love this one song called “More Than Enough.”

She couldn’t sing worth a lick but she would rewind that song over and over. She used to say that one day she was going to audition for the church’s Grammy-award winning choir.

Fat chance.

Sometimes her singing would be so off putting that I’d just tune out her words. Until, about five minutes into the drive, I’d begin to hear sniffles.

The drive would take us past the cross street where my dad’s other woman and their two young children lived. The sight of the block was too much to bear for my mother. The tears would fall.

Then she’d turn up the volume, as the rumble of the piano keys welcomed us to her favorite song, the sound of the keystrokes pierced through the silence in the minivan.

“Jehovah Jireh” the soloist would sing. “My provider…”

On one of our rides, I remember approaching the intersection where Ebbets Field formerly stood. There was a painted mural of my idol, Jackie Robinson, to commemorate his becoming MLB’s first Black baseball player.

“Look!” I pointed. “Did you know that Jackie broke the color barrier in 1947 playing for the Brooklyn Dodgers?” I ask, attempting to distract her from her sadness.

Ignoring my attempts at a diversion, mom would continue to sing along with the choir with more vigor, “Jehovah Shamma,” she continued through her tears. “You supply all my needs…”

By this time on our drive, we were stopped at a red light and her eyes were closed. Suddenly, a knock came to the window. Startled, we realized it was a panhandler from the men’s homeless shelter looking to squeegee our front windshield in exchange for small change.

“You know I really wanna get better at basketball,” I continue blabbering, ignoring the strange man at the window. “I am excited for my teams tournament this weekend. You think Dad will come?”

She kept singing her heart out without responding. She was in her own world.

Those drives were tough for me to experience from the passenger seat but even more painful for her to experience as the driver but we both were looking for inspiration to get us through the day.

As our old minivan puttered and squealed to a halt in front of the burgundy clay colored doors of Primary School 308, Madi would begin to transform out of her sadness.

“Come on Madi, you gotta focus now,” she’d say to herself in the sun visor mirror.

“Lord, you are more than enough…”

She turned off the ignition.

“You are more than enough for me.”

I too was struggling with feeling that I wasn’t enough. Mom had discovered her resolve in the mountains of Puerto Rico. A resolve that I was lacking.

Where did she develop such resolve? I wondered.

Instead of telling you, I’ll step aside and let Mama Soulful share her own journey with you.

Mama, tell us about those dreams you had about “La Isla del Encanto.”

OYE COMO VA.

I open my eyes wondering if I’m in my Tío Felito’s house in Puerto Rico. As I look around the room, I remember, Oh, I’m in my dorm at Stony Brook.

Why do I keep having those dreams?

In my dream, my Tío Felito, the quintessential Catholic, keeps warning me to go to church.

Why? What does he mean?

Somehow I knew in my gut that God was calling me to serve Him, but I kept pushing that thought to the recesses of my mind.

I knew that I could not serve God and date Jordache — my unbelieving boyfriend — at the same time. In my mind it was either God or Jordache. Of course, I chose the love of my life, Jordache. That one decision led me to speed through my blossoming girly college days into unanticipated womanhood.

During the course of one week in May of 1984, my life changed dramatically: I graduated from Stony Brook University on Sunday, May 20th. Three days later, I turned 22, and three days after that, this emotionally immature woman had become a wife.

It would take a few more dreams and many, many more explosive arguments with my husband that would lead me to the altar of the Brooklyn Tabernacle in March of 1986.

I was so disheartened. It was at that altar that two young women approached me, as tears of pain were streaming down my face. They sympathetically asked me if I wanted to accept Jesus as my Lord and Savior and say a prayer of confession with them.

I said, “Yes.”

Of course, I had no idea what I was doing and the tremendous lifelong impact that one decision would have on me and my little two month baby, Neville Andrés (Andy). A decision that I can honestly say transformed me from a weak, emotionally immature woman to a mighty warrior for Jesus Christ. My heart is saturated with profound gratitude as I recognize that I am still evolving, still growing and still seeking God’s truth to define who I am. As I reflect upon my metamorphose into womanhood, I know that this journey of faith began long before my college years. It began when I was just a little girl.

“Ouch,” I whispered in pain as my mom pinched me.

She did this sneakily under her crossed arms as the church choir sang, “Hear, O Lord the sound of my call.”

She was always nudging me to pay attention as the priest gave the liturgy. I can remember from the time I was a little girl how Mami adamantly taught me and my two older sisters to fear and love God. She insisted we pray before a meal; reminded us to always say, “if God wills it” when we made plans; or urged us to kneel by our bedside to recite The Lord’s Prayer. She made sure we received all the sacraments and attended church every Sunday despite the cold temperatures or our grumpy adolescent attitudes that only desired to sleep in on Sunday mornings.

Despite my religious conversion to a nondenominational Christian Church at the age of 23, I am extremely grateful for my Catholic upbringing. This orthodox foundation was the cornerstone upon which my faith has thrived on for decades.

In 1950 my beautiful mother, Isidra Natal, prematurely left her home in the country at the tender age of 18. She arrived after two days of weary travels from Puerto Rico then to Florida and finally to her final destination, New York, a strange city she had never encountered.

While living in a two bedroom apartment with her three cousins near Albee Square Mall in Brooklyn, she is acquainted with a young, handsome brown skinned man with soft straight black hair from the island of Cape Verde, located on the West Coast of Africa.

Shortly after my parents met, they got married and eventually had three daughters: Antonia, Leda, and Madeline. I am a proud, native Brooklynite born in the early 1960s when it was very popular for Cape Verdeans to marry Puerto Ricans for a green card.

During my early years, I can vividly remember the instability of my home. Growing up, my dad would always argue with my mom for many different reasons. It was either the house was not cleaned well enough or we had company visiting without his approval or simply lies that my dad’s family spewed out to enrage my father against my mother. Most of these arguments would always end in some sort of abuse. The arguments were constant and fervent while living in Brooklyn and continued even more when my parents bought a house and moved the family to Hazlet, New Jersey.

As one of fifteen siblings, my mom is the matriarch of our family. Over the course of their marriage she endured emotional and physical abuse as well as infidelity until she could no longer tolerate it. She tried to keep the family intact as best as she could, but the abuse was more than she could handle. In spite of the chaos in our home, Mami shielded us by keeping us girls as close to her as possible.

In 1975, she decided to move to Puerto Rico with my sister, Leda, and me in order to file for divorce. Despite the many years of loneliness and neglect, my mom was and is strong and resilient. She made sure we did well in school, attended every parent teacher conference, put food on the table, exposed us to the world of travel, and even made sure we maintained very close family ties. She taught us that family relationships are fundamental, and the importance of supporting each other and staying connected. My mom is a woman of character, as my grandmother would say. She instilled the will, drive, determination, and the gift of civic pride that women during her era were not sufficiently accredited for. Her fortitude of character can be easily traced back to my grandmother, Petrona Adorno Natal.

“Madelina, olvidate de esa gente que familia tienes demás aquí,” my grandmother would lovingly remind me to forget about my father’s side of the family because my maternal side of the family was more than enough.

She’d tell me this every time I’d pour out my anger, pain, and frustration of how my father’s family treated my mom, my sisters, and me. She assured me that their rejection meant nothing because of the enormous family in Puerto Rico that loved us deeply.

The rejection and my father’s violent temper led me to reject my Cape Verdean roots. I wanted nothing to do with any of them. They shunned us, and I buried the memory of this abusive family into the deepest part of my recollection.

That is why the move to Puerto Rico was critical to my identity. Who was I? Where did I self-identify? It was there in the mountains of Puerto Rico that I found true familial love.

It was there that I found a part of my identity as a New Yorican as I embraced the vibrant education, the Spanish language, the rich culture, and the delicious food.

Every morning abuela brewed a steamy pot of fragrant coffee. She’d always make sure my tacita de café was on the table ready for me to drink before going to school. This was the beginning of my lifetime love of having una tacita de cafè every morning except now they are not tacitas they are large mugs of coffee.

The caffeine fueled me, late into the night, to study books that were written in a language that was very unfamiliar to me until I slowly and arduously adopted it as my second language. The pay off of those long exhausting nights of studying finally came the day I graduated from 9th grade as the valedictorian of the graduating class. A distinction I embraced because many kids in the class did not like that a New Yorican, who had arrived two years prior, snatched up this prestigious title.

Life there was rich, peaceful, and filled with wonderful, new experiences that I didn’t always appreciate at that moment, but learned to treasure them as an adult.

In the summer of 1977 Leda and I arrived in Brooklyn before my mom. We stayed between my father’s house in New Jersey and my paternal grandmother’s house in Brooklyn. In preparation for my mother’s arrival to New York, I took on the responsibility of trying to find a place for us to live because after all my parents were divorced, and I did not want to go back to living in the house in New Jersey where so much suffering had taken place. So at 15, I was able to find an apartment for Mami to look into upon her return.

When she arrived she secured our three-bedroom apartment in Flatbush. I was registered in the 10th grade at Erasmus Hall High School, and Leda was enrolled at Brooklyn College. Antonia had graduated from William Paterson University and was living in New Jersey in her own apartment. Mami then found a secretarial job at the Port Authority of New York and New Jersey. My father continued living in the house my parents had purchased in Jersey and would visit us regularly. Despite the divorce, he always stayed connected to the family.

I was reacclimating myself to my native Brooklyn roots and like most teenagers at the time, I was consumed by school, friends, disco music, and my first part time job.

Working at Tasty Twin, a small sandwich hero shop, taught me a different level of responsibility that I had never experienced. The owners, Juan and Manuel, were two elderly gentlemen from Spain who simply adored and trusted me, but they worked me like a dog for a mere $2.50 an hour. In their absence, I managed this modest sandwich shop where the Off Track Betting gamblers and commercial workers on Flatbush Ave would sit, socialize and build community relationships. As the cashier, I made sure all monies were counted and secured while Willy, the sandwich maker, cleaned up the shop before closing. My meager earnings allowed me to purchase things I knew my mom couldn’t afford to buy.

The late 70’s were the years of Elvis Presely’s passing, Jimmy Carter’s 39th inauguration as president, and watching and mimicking Soul Train dance lines. Disco music was blazing everywhere from the radio to people walking down the block with boom boxes on their shoulders blasting their music. When Saturday Night Fever came out in the movie theater, it was a hit of monumental proportions that also contributed to the disco fever of the day.

Next door to Tasty Twin was a movie theater where Leda worked the concession stand. The manager there favored Leda and I, and she always gave me free passes to see Saturday Night Fever at least half a dozen times. My goodness, I spent so much time trying to learn John Trovolta’s dance moves. Simultaneously, roller disco was also en vogue and everyone was trying flashy moves on their skates.

Every Friday night, Antonia, and I would hang out at the Empire Roller Skating Rink across from Ebbets Field. The DJ would blast the music and the skaters would skilfully roll to some of the sweetest, most soulful music of that era. Skating was so much fun, in spite of my ungraceful moves. Antonia was a talented skater, and I was just trying to copy her graceful moves as any little sister would do.

While at Erasmus, I was the president of Arista, the national honor society. I was also the vice president of student government. These roles allowed me to develop leadership skills that I did not possess.

Academically, the years in Puerto Rico had revealed that I in fact had some gaps in my education in comparison with other students. However, out of a class of 723 seniors, I graduated number 23. This sweet accomplishment was a reflection of my deliberate determination and effort to excel in my education.

Erasmus Hall blessed me with my life-long friends: Judy, Annmarie, Magally, and Janine. They were all high academic achievers that challenged me to be the best version of myself and to always stay on task and overachieve. As the years passed, my relationship with these very successful ladies has grown very deep roots that have gone beyond friendship. We are family!

Sadly, Janine passed away four years ago of pancreatic cancer. I was so broken-hearted to the point of almost missing her funeral because I was not prepared to face her death. I would have missed out on the biggest surprise of my life had my husband and my son, David, not continued to coax me to fly down to Georgia to say my final goodbyes.

Prior to Janine’s passing, she had arranged her entire funeral service. Unbeknownst to me, she had planned for me to offer words of comfort during the service. I was shocked, honored, and extremely grateful that I was present to fulfill her last wish.

Sleep well until we meet again at the pearly gates, my friend.

In 1980, I started a new chapter of my life at Stony Brook University on Long Island. My parents were very hesitant about allowing me to attend because they wanted me to live at home, but they finally relented with a little coercing from my college counselor.

I guess they feared I would go wild and not come home; however, that was the furthest thing from my mind. I went to all my classes, got involved in the Hispanic club, and pretty much stuck to the books all the time. Every weekend I went home to see my family and to work a part-time job at my local Key Food supermarket.

All was pretty much quiet, until April of 1981 when Mr. Cool and Confident danced into my life at Annmarie’s birthday party. After that first dance with Jordache, I was smitten.

Power of Love, to be continued…

Similar Read: POWER OF LOVE: PART II

Similar Read: Music Is Life

Remembering Nipsey Hussle

One of the biggest stories of 2019… 

On Sunday, March 31, 2019, Ermias Davidson Asghedom aka Nipsey Hussle, was unfortunately shot six times in front of his clothing store, Marathon Clothing, in Los Angeles, California. He was pronounced dead shortly after arriving at the hospital. 

For millions of fans who were familiar with his music, he was more than just a rapper. He was an entrepreneur, business owner, real estate investor, community philanthropist, a husband, a father, and an inspiration to millions of inner-city youth in his Crenshaw neighborhood and other hoods throughout the country. 

Celebrities, rappers, athletes, and other prominent figures took to Twitter to pay their respect and show love for the slain 33-year-old Nipsey. But the majority of people mourning will never be one of the latter, instead, just everyday people who respected his music and mission to make a difference for so many people. The pain is real and he will be missed, forever. 

Here’s what some of them had to say… 

“Man, real tears! I can’t remember the last time I cried this much… smh… I’ve been going to LA since I was 4-years-old… hella different from Detroit, but it was all love. I listened to his music faithfully… every day for the past 10 years. This shit hurts.” – A. Murray, Detroit, MI

“I wasn’t intimately familiar with Nipsey’s artwork as a rapper but I was introduced to his work as an activist and change agent for good a few years ago. We shared similar visions and values so I am saddened to hear of his life being senselessly snuffed out. I am hopeful that the outpouring of grief will drive us to collectively continue his mission.”Soulful Silverback, NYC

“It seems he was a man ahead of his time. Take away the rapper Nipsey… let’s speak on the influence of the man named Ermias Asghedom. He used his outlet… as well as his knowledge to teach and help us as people do better and build our self-worth. To me, he is now a leader that left us too soon but will always be honored and never forgotten. We’re going to keep your Victory Lap and legacy going until the end because we as the people have to protect the ones that stand for bettering the Black community and the culture of Hip-Hop as a whole.”L. Benzo, NYC

“We will feel this loss forever. Hussle was a man who practiced what he preached and led his life with honor and respect. He’s planted many seeds along his life and now that he’s gone, it’s up to us to water them and help them grow. Work harder, give more and never forget where you came from. Rest easy Nipsey!”Center Left HR, Washington, DC

“Nipsey brought an element to rap music that was missing. His energy, swagger, ability to educate and heart was something that isn’t present in today’s music. He made sure you knew where he was from and how he wanted to educate his community on economic empowerment. Gone way too soon but will never be forgotten. This generation’s Tupac Shakur.” – J. Malone, Detroit, MI

“It appears the more “woke” you are and the more you chose to do for the people and not the man, the greater the threat you are to them and bigger the target you become.”  – Professional Athlete, Southeast

“Nipsey’s death is tragic and unexpected. He was a dope artist and more importantly a young Black entrepreneur who was giving back to his community. Many people do not understand how difficult it is to be successful, be a father, and stay alive as a young Black man, particularly those of us from low-income high-crime areas. Nipsey has now become yet another alarming statistic in the midst of success and fatherhood and all I can do as a young Black father and entrepreneur myself is pray and continue to make positive strides and influence those I encounter with the same values. This is a cold world and unfortunately, this “change” we all hope for is very far away when you consider the fact that this incident happened right outside of his own neighborhood business. Sad reality that we all have to swallow.”J. Hampton, Atlanta, GA

Nipsey was a once in a generation type artist, but not for his pure lyricism or superior metaphoric wordsmith. Nipsey spoke to the people in ways many legends never could. He spoke to the millennial hip-hop enthusiast that grew up in between the Golden Era and Trap Era of hip-hop. I personally met and discovered Nipsey during his first NYC promo run for his first mixtape in 2008 and I immediately became enamored with his maturity and authenticity. His early rhymes took you on a West Coast journey, placing you in his Lincoln Towncar riding through the streets of Compton. As his music and career grew, I personally felt as a fan that I grew alongside him. Both being born in 85′. I listened to his music less feeling like a super fan but more like a distant peer. Motivating me to go harder, creating my own lanes but embracing vulnerability to acknowledging the many trials and tribulations life brings. These raw emotions most artists cannot tap into. We didn’t just lose a rapper, we lost a new generational leader of hip-hop ready to take the torch and run our marathon.”D. Faulkner, NYC 

“The Loss of Nipsey Hussle is a huge blow to the Hip-Hop culture. I didn’t know him. I never met him. I loved his music. I loved his message of independence, sustainability, and economic empowerment for HIS community. My condolences to his family, children and loved ones. We lost a true warrior on 3/31/19. May his legacy inspire greatness in each of us. Long live Neighborhood Nip aka Nipsey Hussle born Ermias Asghedom.” – S.B. Webb, Atlanta, GA 

“Success, in a different light. That’s who Nipsey was to me. Finally a version of success that was attainable. Finally a form of success that looked like us, belonged to us, and that talked like us, and that really made a difference. That’s why Nipsey’s death hurts so many of us. He didn’t lose who he was or his principles. He knew success wasn’t his, but of his community. His work provided opportunity to overcome the bad around him, the drugs, the gangs, the violence. He worked to build the community back up even though it was handed it to him broken. For this man to be killed in front of what he built makes it seem like once again the dream of success was close but not achievable and out of reach.”Center Single Mom, Washington, DC

“It’s difficult losing young Black men who are perfect messengers regarding the positive influences we need in African-American culture. As a young Black man who often speaks to teens about transitioning into adulthood, it’s not easy to get through, so when you have those messengers taken from us before their full impact can be felt, it’s devastating. Hopefully, Nipsey’s words are felt far and wide and folks take it to heart. We need more influential African-Americans in our communities showing what success can and should look like.” M. Taylor, Detroit, MI 

“Although I was very familiar with Nipsey Hussle, I didn’t know the extent of his knowledge, intellect, and service until recently. Since his death, I have been consumed with getting to know more about him beyond music. There aren’t too many artists who inspire me to be a better human. Tupac was one of them and now Nipsey is on that list. I truly believe he was here on an assignment and fulfilled it. We will be better because he was here.”E. Williams, Memphis, TN
“I have been following this young man’s music since he started. I’m definitely a fan of West Coast music so of course, you would hear about this young dude from Crenshaw. I thought he might be related to Snoop by blood but they’re related by Cuz (60’s). Funny how the greats have similar blessings with similar fates although some are still with us. I don’t believe in conspiracies but I also don’t believe in coincidence. Either way, we’ve lost a Great Young Man who was for us and mobilizing our people in his community and beyond. He should be memorized as the great man that he lived to be. #RIPNIP”C. Major, Detroit, MI

This article was originally published on 1 April 2019.

What did Nipsey’s music and life mean to you? Share with us by commenting below or emailing us at info@box5351.temp.domains.

IMG_4271.JPG

MUSIC IS LIFE

The bell inside the front door of apartment A1 at 2525 Bedford Avenue would ring loudly when the door was slammed shut.

I know this because — in a very Pavlovian way — I can still hear that bell ringing in my darkest moments.

I’ll never forget the days when I was 6 years old. It was 1992 and there I stood on that dark red carpet in front of the front door. My mom, dad, brother, and I lived in a roach-infested, two-bedroom apartment in the East Flatbush section of Brooklyn.

My father had just sprayed cologne on his neck to leave the apartment. The way he carried himself, he had so much swagger and confidence.

“Dad, can I go with you, please?”

Often my mom would chime in to advocate on my behalf, “Jordache just take him with you for a little while, while I take care of Jeremy.”

“No, Madi. I’m just going up the road to come back,” he replied.

“Just let the record play and then switch off the power, when the record is finished,” he continued.

The heavy metal door would then slam shut behind him, causing the bell inside the door to ring loudly for a few seconds. Although he was leaving, the sound of the reggae music that was still pouring out from the industrial-size speakers in our living room was not leaving with him.

I remember going to my room to be alone and deal with my sadness. This pattern went on for many more years and the continued rejection gradually became too much to bear. The sound of him leaving had happened so often that I no longer heard the bell. Instead, a question ringing in my mind.

Why doesn’t he want to hang out with me? 


‘ROUND MIDNIGHT

Neville Louison Sr. is a quiet man; his movements however, are loud.

He steps around the apartment so quietly that I am always startled by the sound of his deep voice, but his impact on my life has and will continue to reverberate well into the remaining years of my life.

It has taken me three decades to heal from the emotional abandonment of him leaving me again and again. It has taken me just as much time to fully grasp the impact of the greatest gift that he has ever given me.

My father has this cool confidence. Cool like a pleasant breeze on a summer night. It’s this cool confidence that gave him the courage to leave his small island of Grand Roy, Grenada, one of the least populated islands in the Western hemisphere. In the 1970s, millions of people had immigrated from the Caribbean islands to NYC. My father was one of them, and like many, he made a home for himself in the East Flatbush section of Brooklyn.

It wasn’t long after that that my dad met my mom: a beautiful olive-skinned Puerto Rican woman named, Madeline Silva. It’s A classic Brooklyn love story — like something you might see in a Spike Lee film.

My mother had spent most of her formative years in Brooklyn and then a few more years on the island of Puerto Rico until my grandparents divorced when she was a teen.

By the early 1980s, my mother had made her way back to Brooklyn where she was attending Stony Brook University on Long Island.

His quiet confident cool draws my mothers gaze from across the room. Reggae music sizzles out of the stereo in a way that makes your hips sway, gyrate, and dip.

My mother leaned towards her best friend, Judy.

“Who is that cute guy with the black corduroy pants, moving his hips so nice in the corner by himself?”

“I call him Jordache because I always see him around the neighborhood wearing the Jordache Jeans brand,” Judy laughed. “Don’t worry Mads,” Judy continued. “I’ll introduce you to him if you behave yourself.”

Taking a swig of his beer, he asks her to dance.

Maybe it was the way his dark skin shone, the fluidity of his hips, the attraction of their African blood, or the rhythm of the music, but it was at that moment that their love story began.

After 3 years of dating, my father proposed to my mother in my grandmother’s living room.

He didn’t drop to one knee or make a grandiose proposal or anything like that. He just simply stated, “Madi, we must get married.”

My mother did not hesitate to commit to the guy she had gushed to Judy about all those years prior.

“Ok, Jordache.”

Every time they tell me that story, I can hear Beres Hammond begin to croon, “what one dance can do…” – that is one of their favorite reggae tunes.

IMG_4271.JPG

If you have ever lived with or in the vicinity of my father, you’ve likely been jolted out of your sleep by the buzzing of the amplifier being switched on.

By the mid-90s, our family had expanded to four children: Andy, Jeremy, David, and Sarah. My parents and their four children lived on the first floor above the building’s garbage room. As a result of the trash below us, our apartment was terribly roach-infested, but the cheap rent enabled my parents to save money for a house. We were poor but we were rich in love.

Our block felt like the Carribean United Nations. There were folks from each of the thirteen sovereign island nations and twelve dependent territories. Each island having their own unique sound, flavor, and style.

My mom was the Puerto Rican ambassador. Since she was the only Borinqueña on the block, folks would call my mom, “the Puerto Rican lady with the four kids.” She kept us close to her at all times. We were inextricably bound together.

There was a strong sense of community on our block. Everyone called my father the mayor. Mainly because he was the unofficial disc jockey. DJ South as he is known locally built his own sound system in my bedroom — the one I shared with my two other brothers.

One closet had his DJ booth which included black turntables, grey amplifiers, black headphones, and a red extension cord. Everything connected to the two large speakers in the living room. Somehow he still found a way to neatly organize all of his clothes and belongings.

This was the stereo that woke my Black ass up. Every. Single. Weekend. At 7 am.

“Early to bed and early to rise, does make a Black man healthy, wealthy, and wise,” my father would say. My brothers and I would roll around, grumbling in our bunk bed. I’d be rubbing crust out my eyes, scorn stitched into my brow, while my dad fired up the speakers. It was surreal every time because I usually wouldn’t see him for the entire week. And yet, all of a sudden, there he appeared before us. Crouched down, calmly strumming through his records.

When did he even get home? 

“I go play that record,” he’d say when he finally found the record. He was always rummaging for the same record anyway: Bob Marley & The Wailers’ 1979 record, Survival.

As the needle dropped on the record in the closet, the record begins to scratch as the sound blasts from the living room. The raspy soulfulness of Robert Nester Marley’s voice welcomes you to the album.

“Little more drums,” Bob says.

DJ South’s set usually began with the Bunny Wailers “one drop” drumbeat blaring from our living room windows.

Bob’s voice returned to the track to lament, “So much trouble in the world…”

“Remember son, life is about survival,” Dad chimed in as he increased the volume to an even more obscene level.

“Survival,” he said. “Survival.”

Boy, did I want him to shut up. But no matter how much I tried to drown out the sound, he just kept on doing his thing. Eventually, I just lay there silent and angry, staring at the ceiling.

“So much trouble in the world…” Bob sings.

SURVIVAL

As a thirtieth birthday gift to myself in 2015, I decided that it was time to learn more about my Grenadian roots. It was a season of healing for me and the island was calling me, so I booked my flight.

When I landed on Grenadian soil for the first time, it had been four decades since my grandfather’s untimely death and my father’s escape to survive.

Grandpa, as I would have called him, didn’t live long enough for me to meet him. Lewis Pierre was murdered at the age of 44 in St. George Grenada in September 1977. The body was never recovered.

My father was working on a cruise ship on the nearby island of Trinidad & Tobago on that day. He was nineteen.

He was selling oranges for five cents in Grenada and that hustle was no longer sufficiently providing for the family. As the eldest of his mother’s children, he had left his home two years prior in search for work.

My grandmother and grandfather were effectively neighbors in the late 1950s. He was a Fishermen and in his 44 years of life, he fathered at least six children. Four of them with his wife and the other two children with my grandmother. My father and his brother, Joseph Cadore.

My grandmother’s family was growing and she would move to the nearby village of Grand Roy, where she raised her children, a stone’s throw away from the sea. My grandmother and her three children lived in a small two-room abode.

My uncle Joseph, who we call Uncle Wayne, is one of my favorite human beings. Since I was a child, he would always drop by to infuse his fun, rebel energy into our apartment. The moments with him were short but we loved to roughhouse with our strapping uncle. What I love about him most is that he chose to be around.

Uncle Wayne is different from my father. He is broad-shouldered, gregarious, talkative, and bald. Despite their noticeable differences, I’ve always admired their close bond.

Always up for an adventure, Uncle Wayne had accepted my invite to accompany me to Grenada. He was beaming with pride to show me around his hometown.

Uncle Wayne picked me up in a beat-up grey 4×4 vehicle with a barely functioning CD-player. That was our mode of transportation for the week.

With a joint hanging from his lip, Uncle Wayne drove us to every corner of the island. A man of the people, he stops to talk to everyone, either greeting them with a boisterous “Hello/Hey/Something” or by the double toot of his horn. I am convinced he knows most of the 100,000 people that live on the island — if not all of them.

During one tour of the island, we stopped at the home that my grandfather, Lewis Pierre, had lived. The yellow two-story home that he built with his own two hands was still standing on the mountain roadside.

My aunt Jenny, who I had never met previously, was living in the home. As I was inquiring about the family history, Aunt Jenny brought out her father’s documentation in a blue tin cookie canister.

I slowly opened the blue canister of his life and pull out the contents. 

I gave the documents a quick glance to begin to put together a timeline of his life.

I read the words, “Lewis Pierre born March 18, 1932, to Camilla and Joseph Pierre,” on his birth certificate.

My great-grandparents have names, I thought to myself.

My senses were alive. I was looking at my grandfather’s face for the first time in my life.

“Wow, I look just like him!”

The questions in my mind begin to swirl like water beneath a geyser. However, I remain focused on listening to Aunt Jenny’s every word. 

After sitting with the documents for a time and asking a few more poignant questions, I returned the tin canister to Aunt Jenny. I almost don’t want to let the canister go. It held so much information about my life that I may never learn more about.

We said our goodbyes and I began walking back to the car with my mind continuing to swirl with questions.

As we pulled away from my grandfather’s home, Uncle Wayne turned up the volume on the music in the car. The questions in my mind are now rumbling even more loudly as Love African Style by The Mighty Sparrow plays in the background.

“I love to see when Black people make love,” Sparrow sings.

We slowly make our descent down the curvy mountain road. With the sun beating down on the gravel road beneath our tires.

“Now I’ll take you to where me and your father lived,” Uncle Wayne says.

“Wait, you didn’t live there with your father?” I asked. “I thought you guys were neighbors?”

“No. We’d have to walk for hours to get a piece of small change from him, every now and again.”

The geyser of questions in my mind have now erupted and are shooting into the sky. I can only imagine the jagged rocks pressing into their bare feet, the sun beating down on their little heads, and the sweat soaking into their clothing. I wondered what they were talking about. I wondered how they were feeling on their long journey to their father’s house.

Why didn’t he want to hang out with me?

Suddenly, I was transported back to 1992, grappling with my own brokenness behind slammed doors. Except now it feels as if there are two little boys on that dark red carpet. Me and my dad grappling together. I can hear that bell ringing again. I wanted to reach out to my inner child. He needed an explanation.

“Neville,” I said. “He didn’t know how to be a Dad and hang out with you because he never had a Dad himself to hang out with him.”

I was then reminded of this unfortunate truth: broken men tend to produce broken men in the absence of healing.

I see those two Black boys, my Dad and me, much differently now. I’m deeply overcome with sadness to understand we both have experienced this deep pain at the neglect of our fathers.

Immediately one of my Dad’s favorite records by Jimmy Cliff comes to mind, and the words begin to make more sense to me. It’s like I’m hearing them for the first time.

Many rivers to cross…

I felt more connected to my Dad and found my brokenness in his brokenness.

Many rivers to cross

And it’s only my will that keeps me alive

I’ve been licked, washed up for years

And I merely survive because of my pride

“No wonder he played this record so much,” I thought to myself.

The song defines his journey.

MANY RIVERS TO CROSS

The details of my grandfathers final moments in Grenada are limited to his official documents and hearsay accounts.

The death certificate issued ten months later in July 1978 mysteriously states, “Lewis Pierre came to his death by drowning in the parish of St. George and that no person or persons are liable for prosecution.” The hearsay version is that Lewis was thrown off a cliff by a man who was defending his step-daughter from him. Both the official documents and the hearsay accounts leave me with enough hesitation to no longer pursue any additional details of the life and times of Lewis Pierre.

In 1986, less than a decade after “no person or persons” were held to account for my grandfather’s murder, my father would have his first child.

Like many men of his time, my Dad was not overly engaged in my mom’s pregnancy. But he did request that his first-born son carry on his name, Neville. On a Wednesday morning in late January at 5:29 am, I was born — the first-generation American male of my ancestors lineage.

There were many rivers to cross in those early years for my mom and me. Dad didn’t know how to be a father, a husband, or an American – three roles that he had zero experience with. I guess we were all trying to find our way in those days.

Most nights after mom and I did homework together, I would wake up to her sniffles. She was crying. At some point, mom and I had learned that my father had fathered two children with another woman. He lived with his other family just a few blocks away. This tore my mother apart as she was dealing with her own responsibilities. While my dad was an outstanding financial provider, Mom was raising four children without help from her husband. She was a full-time NYC public school teacher and getting her Masters degree in English at Brooklyn College.

When my father did come around, they would argue constantly. I wished for years that he would leave for good so that I could no longer see my mom suffer through their relationship.

I now feel as if I suffered the consequences of my grandfather’s decisions. Neville was emulating Lewis’ behavior, leaving yet another Black boy yearning for time with a Dad who didn’t have the tools to deliver.

As I went through puberty and I grew into my adult years, my anger for my father also matured. I falsely believed that this anger had fueled my success, but in actuality, it was widening the gaping hole in me that my father’s absence had left behind.

The brokenness that had been birthed on that dark red carpet had hardened. I was no longer a boy. Instead, I was the “strong,” “resilient” man that had found his way in America without his father. I made a vow to myself when I was thirteen that this generational cycle of fatherlessness would end with me.

In my father’s absence, I developed my own criteria on what I believe it means to be a man. I would lose myself in books, magazines, mentors, coaches, and closely observed the good men my mom had placed in my life to help guide me. None of those books or people could replace my Dad’s quiet calm cool but they helped provide me with a solid foundation to build on.

At the age of 28, the same age that my father had me, we began to reconcile our relationship. On a quiet Sunday at my parents’ home, we both found ourselves at the dining table eating corn porridge. Mom had just left for church and there was no music playing yet. We both found ourselves quietly eating at the same time that morning. The table was silent except for the sound of our spoons clanging against the bowls. After years of silence on the topic, I muster up the courage.

“How are your sons?” I asked.

Not understating my question, he asked if I was asking about my siblings.

“No, your other two sons,” I sheepishly retorted back.

After taking a moment to gather himself, he stood up to take a walk to his liquor cabinet, and came back to crack open a bottle.

We sat at that dining room table for hours. Just two broken men named Neville exposing their hearts, wounds, and lack of understanding to the other. It was Sunday filled with words that had been previously unspoken and that I’ll cherish forever.

Later on that evening, my Dad asked me to help him fix a doorknob that was in slight disrepair. As he took a knee to unscrew the doorknob, he looked up at me with the glossy eyes of an aging man who had a few drinks.

“Son,” he said. “After today’s conversation… your daddy can now die a happy man.”

These were the words I thought I’d never hear as a little boy. Through his slurred speech, I could hear the sound of a Dad’s tender love for his son.

It’s a moment not many men get the opportunity to have with their fathers.

When I reflect on that moment, one of my Dad’s favorite records Tender Love by Beres Hammond comes to mind.

“First let me welcome you to my little world that was so torn apart. In case you don’t know, I’ve gotta tell you this. That all along I thought this world had no heart…” Beres sings softly.

The two little Nevilles together at last. This is our song now, in a musical language we both can understand.

You’ve been guiding me through the music all along, Dad. 

Similar Read: La Vie En Rose 

 

Spike Lee’s Oscar… A Different Perspective

Spike Lee and Lessons From Drake…

Spike Lee finally won an Oscar at the 91st Academy Awards. Long time coming and well deserved. His film, BlacKkKlannsman, landed three nominations and Best Adapted Screenplay proved to be the winner. I must admit, I was somewhat shocked to see his jubilant reaction to winning his first Oscar. Maybe Barbra Streisand’s introduction, and Samuel L. Jackson, who appeared in some of Lee’s first movies, presenting the actual award contributed to the adulation and overflowing of emotions that overcame him when he realized he had won. But after watching him celebrate, dance, and jump-hug Sam Jackson, I couldn’t help but think about Drake’s acceptance speech at the Grammy’s just weeks previous when he won for Best Rap Song…

“If there’s people who have regular jobs who are coming out in the rain, in the snow, spending their hard earned money to buy tickets to come to your shows, you don’t need this right here, I promise you that. You already won.” – Drake 

“You don’t need this right here… you already won.”

Of course, he was referring to his Grammy award. Whether he won or lost, it’s safe to say Drake was going to be ok. His message to up and coming artists was that you essentially don’t need this award, or any award for that matter, to validate your success or greatness… you’ve already won. When you factor in valid critiques of racism regarding Hollywood’s unwillingness to recognize African-American artists on stage and talent in front of and behind the camera, Drake’s comments truly hit home. Ironically, his mic was cut shortly thereafter and we couldn’t hear the rest of this speech.

So while I’m happy for Spike, deep down I wish he would’ve given a similar speech as Drake and kept his composure. As someone who’s been very outspoken about social justice, institutional racism and equity in Hollywood, his reaction screamed finally accepted… recognition that I belong. Such a response gives too much power to the Academy and institution which has failed over and over to recognize his talent and the talent of others who look like him. Why not take a Drake approach… because before people were coming out in the rain and spending their hard earned money to see Drake, they were doing it for Spike. 

Do the Right Thing, Jungle Fever, Malcolm X, He Got Game, Inside Man, Love and Basketball… the list is long.

Spike has been winning for a long time… whether he knows it or not. We’re not here to judge Spike, but future Spike Lee’s of all ages, races, and cultures, watched his acceptance speech. We just hope they realize their greatness and power long before receiving an award that might not come for 30 years… 30 years after their fans have already recognized their talent and deemed them great. 

Surviving R. Kelly… You Knew And Said Nothing?

Surviving R. Kelly aired last week. A 6-part documentary that shook the country and had everyone talking. The details shared in the documentary were tragic, infuriating, and triggering from many victims of sexual abuse… physical, sexual, and mental abuse, isolationism, starving, total control, and complete brainwashing. Whether the documentary was good is up for debate, but it did allow these victims and survivors to tell their story, and that is and should be the most important takeaway. 

Let’s assume everyone has heard of his predatory and sexual abuse allegations over the years. But when he surprisingly beat his case, and released instant classics like Ignition (Remix) and Step in the Name of Love, many of us let go of the allegations in favor of his music catalog, which inevitably continued to fund his sickness. That’s a hard truth, because while the outrage from seeing the documentary is genuine, it’s 10-20 years too late, and because of it dozens if not hundreds of more young girls were likely abused. 

Black children, Black young women, deserve better… from society, and specifically everyone who was in contact with Robert Kelly and witnessed his behavior… from his managers, assistants, producers, label-mates, other artists, Sparkle, close friends, many of these girls parents who thought their daughter was the next Whitney Houston and despite knowing Robert’s past believed he could help their daughter reach stardom, everyone of-age who witnessed such behavior at parties and decided not to speak up, and so on… over 30 years, that list is long.

Numerous people in the documentary mentioned seeing or knowing of him visiting Kenwood High School as a grown man. You were cool with that? You knew he had a bed in the middle of his studio and witnessed young girls constantly around him and at the studio, some as young as 12-years-old, and you were cool with that? Yes, clearly you were because you continued to let it happen. Shame on you and your lack of morals and courage. 

Robert Kelly directly and indirectly fed and supported a lot of people through his ingenious music ability, and unfortunately, that was more important to them than the safety and protection of these girls. Even Sparkle, who witnessed his activity over decades including the slave-like treatment of his ex-wife Andrea Kelly, thought it was a good idea to introduce her niece to him in hopes of her making it big. Epic fail; she ended up being one of the victims filmed on the infamous sex-tape, excuse me child pornography, that was leaked and seen by millions.

They all deserve to go to jail. 

In a society where criminal injustice and institutional racism is evident at every corner, we must ask ourselves… if these girls were White, would Robert still be abusing girls today? Would he be a free man and up to last year still booking shows and writing music for other mainstream artists? 

Robert Kelly is apparently not doing too well financially. And movements of protest to stop his shows and digital streams are finally beginning to gain traction. 

While many are frustrated and searching for answers, some, on the other hand, are blaming the victims, giving excuses, and attempting to justify Robert Kelly’s nearly 30-year run of abusing minors. These girls weren’t fast nor were they chasing stardom and therefore deserved such abuse. They were taken advantage of by a predator and a lot of adults willingly let it happen. That simple. There are Robert Kelly’s all around us. If you know one, if you see one, or if you know a victim who might be in a similar situation, speak up and try to assist. There is no amount of money or friendship strong enough to allow the abuse of a minor.

Dirty Computer, The Black LGBT+ Representation I’ve Been Waiting For

On April 27th, 2018, Janelle Monáe released her third studio album, Dirty Computer. In addition, she released a 47-minute dystopian, sci-fi short film of the same name that celebrates women, blackness, and queerness. Needless to say, I loved it.

Seeing the Black LGBTQ+ community accurately represented in the media is an ongoing struggle. While films like Moonlight and television shows like Pose have made strides for Black LGBTQ+ representation, there is still more progress to be made. However, Dirty Computer has definitely contributed to that progress. Even from the very first single, “Make Me Feel”, I felt represented while watching the music video where Janelle runs back and forth in between male and female love interests, and I was delighted by the heavy usage of what is referred to as “Bisexual Lighting”, lighting that features pink, purple, and blue—the colors of the Bisexual flag.

In the Dirty Computer Emotion Picture, the protagonist Jane 57821 is in the process of having her memories erased in a facility after being labeled as a “dirty computer” that must be cleaned. Each memory comes in the form of a music video, and these videos give the audience a glimpse into Jane’s life before she was taken. One aspect of her life was her involvement in a polyamorous relationship with characters Zen and Che (played by Tessa Thompson and Jayson Aaron). Each music video is a celebration of femininity, sexuality, and individuality despite society’s attempts to suppress them. 

One of the songs that resonated with me was “I Like That”, the albums’ fourth single which went to #1 on the Adult R&B Songs Chart. Janelle described the song as being about boys “who make the lives of little brown girls so damn hard”, something I instantly related to. Listening to the song always gives me encouragement to embrace nonconformity and all of the things that I like, despite criticism. One line in the song “Sometimes a mystery, sometimes I’m free / Depending on my mood or my attitude / Sometimes I wanna roll or stay at home / Walking contradiction, guess I’m factual and fiction” were incredibly understandable, reminding me that a multidimensional personality should be held on to despite any attempts to be put in a box. This song is very uplifting, as well as “Django Jane”, Dirty Computer’s second single. 

“Django Jane”, is an anthem that celebrates and recognizes Black womanhood. It is a visual and lyrical love letter to our identities, our magic and our strength. Janelle is surrounded by Black women throughout the video, rapping powerful lyrics such as “Black girl magic, y’all can’t stand it”, “We gave you life, we gave you birth, we gave you God, we gave you earth”, and “Move back, take a seat, you were not involved / And hit the mute button / Let the vagina have a monologue”. I feel confident and untouchable very time I hear it.

PYNK, the album’s third single left me in awe when I saw the songs’ visual. There were so many details that I enjoyed, such as Janelle Monáe wearing pants resembling a vagina that Tessa Thompson emerges from. The video included women of various body types and skin tones, some wearing underwear featuring the slogans “Sex Cells” and “I Grab Back”. In one frame, the words “Pussy Power” are seen in neon lights, and towards the end, Janelle and Tessa embrace while watching the sunset. “PYNK” is the ultimate celebration of women’s bodies, sexuality, self-love, and of course, the color pink. 

Watching/listening to Dirty Computer was like breathing fresh air, and I thoroughly enjoyed witnessing a positive light being shined on the communities that society rejects and tosses aside. In her Rolling Stone interview, Janelle Monáe stated: “Being a queer black woman in America, someone who has been in relationships with both men and women – I consider myself to be a free-ass motherfucker.” Dealing with the intersection of oppression that comes along with being a Black, LGBTQ woman means constantly being reminded that personal freedom is a right that the world will routinely attempt to strip away. Janelle Monae’s art, honesty, ingenuity, and confidence in the face of adversity serves as a reminder of just how free I am to be myself, too. Hopefully, throughout 2019, more art like Dirty Computer will be released, giving the Black LGBTQ+ community more representation that we deserve.