Dave Chappelle: The Victim

“The Closer” is dividing critics and fans of epoch-defining comedian, Dave Chappelle.

An “equal opportunity offender” for most of his career, the widely recognized GOAT in Stand-Up has spent a considerable portion of his last four Netflix specials either commenting/joking about trans issues or defending himself against criticisms by members of the trans community.

For most of his career, Chappelle has focused his observational humor on racism and his experience as a Black man in a very White nation. His early jokes were rich with cutting truths that laid bare the hypocrisies and evils of a country whose initial prosperity sprang from slavery.

With wit and satire, The Chappelle Show helped an entire generation of all races think and even laugh about the poison of racism. Dave’s experience as a Black man made his art personal, authentic, and believable. He could say shocking things with impunity because he owned the experience he was presenting.

With “The Closer,” Chappelle seems to be pleading his case more than simply trying to entertain. He is wondering aloud how the trans movement has gained so much traction and influence while Black Civil Rights movements from MLK all the way to BLM still struggles. He posits that Civil Rights leaders in the 60s had to make real, sometimes mortal sacrifices for change while today’s social Justice warriors mostly form woke Twitter mobs to cancel their opposition and wear “pussy hats” to raise awareness for their cause (neither being very effective).

He has some valid points within these comedic jabs, and if he is to be taken in good faith, perhaps there is much to be learned. The idea of “roasting” someone or something is to ridicule, exaggerate, and criticize every single possible weakness so that when the subject survives the lambasting, they are much stronger, maybe even invulnerable. Roasting is an exercise in building thicker skin.

If Dave is truly an ally (this seems up for debate), then the LGBTQ+ community would do well to take his jokes deeper than face value and try to use them to become stronger, maybe even laughing them off like all of Chappelle’s other targets that must do the same to enjoy his humor.

But, in this latest Netflix special, I can’t help but notice a seeming personal stake that Chappelle has in not just making jokes, but condemning those who have condemned him. It seems personal.

Everyone wants to believe they are “the good guy.” But a champion for justice and truth would not pick unworthy targets, right? A powerful mechanism of Comedy is how it maintains the status quo by ridiculing the outliers of society. The majority doesn’t like something about a minority, so a joke could be used to point out that difference in a mocking way and make the majority feel comfortable in their bigotry or ignorance. It’s a very regressive use of comedy and one Chappelle would probably never wish (intentionally) to use…

But perhaps that is exactly what he has been doing to the trans community for four Netflix specials now. And when they tell him they are victims and not worthy of this ridicule for all they have endured, Dave doubles down. He now believes *he* is *their* victim (or at least people he admires like Kevin Hart and DaBaby).

Perhaps the blind spot in Dave Chappelle’s hubris is that his success comes from speaking on his personal experience against injustice and hypocrisy that affected him. Audiences gained universal truth from his subjective experience because he eloquently captured and criticized them with the highest degree of wit.

White people were commonly a target of Chappelle’s most stinging accusations, but they heralded the comedian. Perhaps, deep down, they agreed with him and recognized the work still needing to be done in regards to race relations.

The trans community is not taking their abuse as kindly (for the most part – I have seen some positive reviews while scouring google, Reddit, and Twitter).

This vitriol from members of the trans community means either they have some growth needed to embrace the ridicule we are all subjected to when we have a place at the table, or maybe Dave is really doing more damage than he wants to acknowledge or believe. He ended his special saying something to the effect of, “I’m done telling trans jokes until y’all can handle it.”

Imagine if a White comedian tried to represent Black issues like Chappelle has? It would seem a bit out of place. Chappelle ridicules White people because he has felt antagonized by many Whites. He ridicules Black people because he has lived the Black experience. It doesn’t seem like Dave has any credible connection to the trans community apart from his friend, Daphne, that gives him authenticity in his use of the subject for humor.

Maybe these trans jokes should be told by the “Dave Chappelle of trans comedians” instead.

Similar Read: “I Haven’t Found (The Humor In) It, Nor Do I Seek It”

Ricky Gervais: Hollywood Court Jester

A King is omnipotent. He cannot be questioned or challenged.

According to Sun Tzu, exuding supreme confidence is essential for victory; an enemy must never even perceive a chance to win. This is why many Kings project confidence at all times and never apologize.

However, once a King achieves power and influence beyond question or challenge, what happens if he acts or decides in a manner that is self-harming or detrimental to himself or his Kingdom? The Court Jester was a mechanism to perhaps mitigate such a situation.

An expert Court Jester could point out flaws of the King or the King’s Court in a humorous, seemingly innocuous manner, never earning the ire or Axe of the king. In this way, problems could be at least addressed, possibly considered, and at best resolved. It was a form of therapy for such a precarious system of governing, particularly for the laborers and peasants who were unable to express any malcontent with their monarch.

Although Kings have mostly disappeared from the world and been replaced by more Democratic systems of rule (at least in appearance), there still remains the archetype of “Kingship” mostly in the realm of the rich and famous.

Specifically in the art world, when these modern Kings rise to the level of unquestioned and unchallenged behavior, they can often do the most damage, particularly to themselves. Consider Elvis (The King), Michael Jackson (The King of Pop), and Prince (uhhhh… Prince) who all died of drug overdoses at some point after they rose to levels of wealth and power at which nobody could tell them, “No.”

So if Hollywood is the King of Pop Culture right now, Ricky Gervais is Hollywood’s Court Jester.

His monologue at the Golden Globes was everything that most of America would like to say to these “royal” people who are admired, powerful, talented, and beyond question or challenge, but cannot.

I personally loved every bit of his monologue and found none of it offensive (although none of it was directed at me, I admit). Nonetheless, I think we need Ricky Gervais more than ever right now, particularly when most of the country feels powerless and held hostage to the extremes of the Right and Left.

No movement, however virtuous, is infallible. If an idea or group is unable to be criticized or questioned, then that group is essentially invincible (like the King) and could ultimately use this power malignantly. The very idea of “untouchable” or “beyond reproach” is what someone like Ricky Gervais fights against. This explains why he has upset members of the LGBTQ community in his career as he has lambasted them along with every other group in existence.

To empathize with Mr. Gervais, I would agree that you have not truly earned equal rights until you can be ridiculed freely as the rest of us are. That’s why the term is “equal” rights and not “more than” rights.

So, for anyone who may have been offended by the Golden Globes monologue last weekend, let me go over his jokes a little for your consideration. Maybe this will help illuminate the necessity of such a Jester in our current socio-political climate.

I will also give Mr. Gervais a bit of criticism as well which, if you read his Twitter Account, he welcomes enthusiastically even going so far as to retweet bad reviews of himself or his shows; lest he ever becomes anything like the “King” he is currently so adept at criticizing.

Ricky’s jokes followed by my commentary:

Kevin Hart was fired from the Oscars for some offensive tweets — hello?

Pointing at himself, Gervais seems to question the double standard of preventing a black man from hosting an award show on account of anti-LGBTQ content, when a white man can post incredibly incendiary content and still host.

Maybe NBC is just braver than ABC – or more hungry for those controversy ratings?

Or maybe there is a stronger degree of wrongdoing by Hart who seemed to express genuinely anti-gay sentiments while Gervais simply ridicules LGBTQ out of the principle that everyone deserves to be ridiculed and nobody is above a joke, particularly when it comes from a place of inclusion and not malice?

Lucky for me, the Hollywood Foreign Press can barely speak English and they’ve no idea what Twitter is, so I got offered this gig by fax. 

Obviously, he’s coming up with an outlandish explanation for why he was chosen to host in spite of his provocative Twitter comments and pretending that the HFP, who all live in Southern California, are literally Foreign and can’t speak English.

Let’s go out with a bang, let’s have a laugh at your expense. 

Yes, surely the most privileged people in the world can be the butt of a joke.

Remember, they’re just jokes. We’re all gonna die soon and there’s no sequel, so remember that.

Characteristic Gervais throwing a bit of his atheism into it.

But you all look lovely all dolled up. You came here in your limos. I came here in a limo tonight and the license plate was made by Felicity Huffman. 

The ultimate symbol of White Privilege finally facing justice. How could this crowd defend her?

No, shush. It’s her daughter I feel sorry for. OK? That must be the most embarrassing thing that’s ever happened to her. And her dad was in Wild Hogs.

While it is low-hanging fruit-making fun of an actor in a bad movie, it’s still funny to wonder who the daughter considers a worse parent: the one in jail or the one in a horrible film?

Lots of big celebrities here tonight. Legends. Icons. This table alone — Al Pacino, Robert DeNiro … Baby Yoda. Oh, that’s Joe Pesci, sorry. I love you man. Don’t have me whacked. 

Appearance-mockery and pop culture reference in one joke… not very funny to me, but worked well enough for his crowd.

But tonight isn’t just about the people in front of the camera. In this room are some of the most important TV and film executives in the world. People from every background. They all have one thing in common: They’re all terrified of Ronan Farrow. He’s coming for ya. 

Nervous laughter. Yeah, Farrow doesn’t mess around. He is out to shine light on the cockroaches of society and Hollywood is having its turn.

Talking of all you perverts, it was a big year for pedophile movies. Surviving R. KellyLeaving NeverlandTwo Popes. Shut up. Shut up. I don’t care. I don’t care.

Even Catholics can’t escape the shadow of thousands – THOUSANDS – of covered up child molestation cases in just the last century alone. This is speaking truth to power and it’s not actually funny except that it’s David attacking Goliath so brazenly right in front of the Philistines.

This was the innocent child yelling: “The Emperor has no clothes!!!”

Many talented people of color were snubbed in major categories. Unfortunately, there’s nothing we can do about that. Hollywood Foreign Press are all very racist. 

They are all international journalists.

We were going to do an In Memoriam this year, but when I saw the list of people who died, it wasn’t diverse enough. No, it was mostly white people and I thought, nah, not on my watch. Maybe next year. Let’s see what happens.

Increasing diversity in film has been one of the greatest achievements of this last decade. Black Panther alone will do more for young black kids who want to fantasize about themselves as the hero and aspire to be greater than any token character of the last century.

However, as Bill Burr labels it, “Overcorrection” can happen.

This joke simply warns about trying to apply the morality of “ensuring diversity” to every aspect of every part of the industry (like the In Memoriam).

I imagine a film about the Harlem Globetrotters will probably not require a quota of x amount of Asian, Hispanic, Middle Eastern, and White actors to play the roles of historically Black athletes from one of the most famously Black areas of the country.

No one cares about movies anymore. No one goes to cinema, no one really watches network TV. Everyone is watching Netflix. This show should just be me coming out, going, “Well done Netflix. You win everything. Good night.” But no, we got to drag it out for three hours.

Poignant. True.

You could binge-watch the entire first season of Afterlife instead of watching this show. That’s a show about a man who wants to kill himself ’cause his wife dies of cancer and it’s still more fun than this. 

Shameless plug.

Spoiler alert, season two is on the way so in the end he obviously didn’t kill himself. Just like Jeffrey Epstein. Shut up. I know he’s your friend but I don’t care.

Hilarious. True. I wonder how many in this room have been to his island or on his plane.

Seriously, most films are awful. Lazy. Remakes, sequels. I’ve heard a rumor there might be a sequel to Sophie’s Choice. I mean, that would just be Meryl just going, “Well, it’s gotta be this one then.” 

Low hanging fruit. It worked. Good for levity – which was surprisingly needed in such a brutally damning monologue.

All the best actors have jumped to Netflix, HBO. And the actors who just do Hollywood movies now do fantasy-adventure nonsense. They wear masks and capes and really tight costumes. Their job isn’t acting anymore. It’s going to the gym twice a day and taking steroids, really. Have we got an award for most ripped junky? No point, we’d know who’d win that.

I still don’t know who he means by this. Also, I whole-heartedly disagree with him and Scorsese about this. These superhero movies are for kids. Netflix is killing the budgets and demands for original, well-made quality movies in big theaters, not superhero movies.

Martin Scorsese made the news for his controversial comments about the Marvel franchise. He said they’re not real cinema and they remind him about theme parks. 

Ha. I know my children will all watch Goodfellas, Taxi Driver, Gangs of New York, and Shutter Island on repeat until they are 16 and old enough for Marvel Movies.

I agree. Although I don’t know what he’s doing hanging around theme parks. He’s not big enough to go on the rides. He’s tiny. 

A size joke is seemingly juvenile… but so is picking on kid’s movies when you are the greatest living director! So, well done.

The Irishman was amazing. It was amazing. It was great. Long, but amazing. It wasn’t the only epic movie. Once Upon a Time in Hollywood, nearly three hours long. Leonardo DiCaprio attended the premiere and by the end, his date was too old for him. Even Prince Andrew was like, “Come on, Leo, mate. You’re nearly 50-something.”

Low hanging fruit, again.

The world got to see James Corden as a fat pussy. He was also in the movie Cats. 

Gervais really seems to hate Corden, at least in his comedy. After Life (which is pure brilliance) lambasts Corden also. I often find this problem with extremely intellectual people: they tend to cynically and inaccurately portray the heavily visceral artists and performers. It’s the “Lennon is great and McCartney sucks!” people.

There are a lot of colors in the rainbow, Ricky. What you may consider banal is often just a conduit for energy. Sometimes, “How’s the weather?” conversations are one person really just saying, “I care about you and just want to make sounds in your direction.” Go to a Coldplay concert. It’s beautiful in a different way from Tom Waits or Frank Zappa. Hierarchies are for fascists.

No one saw that movie (Cats). And the reviews, shocking. I saw one that said, “This is the worst thing to happen to cats since dogs.” But Dame Judi Dench defended the film saying it was the film she was born to play because she loves nothing better than plunking herself down on the carpet, lifting her leg and licking her minge. (Coughs.) Hairball. She’s old-school.

Now, it would have been even more outrageous and absurd if Mr. Gervais had this level of obscene mockery directed at Meryl Streep who was in the room, but Dame Judy Dench was a fine target for the harshest roast of the night.

Apple roared into the TV game with The Morning Show, a superb drama about the importance of dignity and doing the right thing, made by a company that runs sweatshops in China. Well, you say you’re woke but the companies you work for in China — unbelievable. Apple, Amazon, Disney. If ISIS started a streaming service you’d call your agent, wouldn’t you?

Dead on. Truth to power. Thank you, Ricky Gervais.

So if you do win an award tonight, don’t use it as a platform to make a political speech. You’re in no position to lecture the public about anything. You know nothing about the real world. Most of you spent less time in school than Greta Thunberg.

So if you win, come up, accept your little award, thank your agent, and your God and fuck off, OK?

This kind of sums up the mentality of most Americans and touches on why Trump won the election. They don’t trust Democrats or the Hollywood elite who are so clearly hypocrites.

Most Americans love Hollywood and what it has done for the world, but if it wants to remain King, it must listen to its Court Jester: Mr. Ricky Gervais.

Watch the entire 2020 Golden Globes by Ricky Gervais:

https://www.youtube.com/watch?v=LCNdTLHZAeo

Beyonce’s Homecoming – For Us, By Us

If there’s any artist that’s capable of stopping the world, it’s Beyoncé Giselle Knowles-Carter.

In 2018, she delivered her highly anticipated performance at Coachella as the festivals’ first Black female headliner and left observers completely in awe. A year later, on April 17, 2019, her Netflix documentary Homecoming premiered, which chronicles the journey she went on to craft her legendary performance. In the film, Beyoncé says “When I decided to do Coachella, instead of me pulling out my flower crown, it was more important that I brought our culture to Coachella.” Watching Homecoming was very impressive, as it gave me more insight into the hard work, sacrifice and intentionality that went into it. There were many aspects that made Beychella pure excellence, but my favorite aspect was seeing the celebration of Black culture taking center stage. 

Beyoncé mentions in the documentary that she grew up near Prairie View A&M University and spent a lot of time during the early years of her career rehearsing at Texas Southern University. Her father is a graduate of Fisk University and she always dreamed of attending a Historically Black institution of higher learning. Beychella paid homage to the nine Black Greek Letter Organizations and an HBCU Homecoming ceremony, with the inclusion of steppers, majorettes, and a marching band. Although I don’t attend an HBCU, I appreciate and respect the importance and significance that they hold, and have witnessed over the years the way that they’re often undervalued. But in the words of Beyoncé, “There is something incredibly important about the HBCU experience that must be celebrated and protected.” With Beychella, she did just that. 

Beychella also included her own rendition of “Lift Every Voice and Sing”—which the NAACP dubbed the Black National Anthem—which transitioned into her pro-Black anthem, “Formation.” She and her dancers swag surfed, danced to a mix of her hit “Crazy in Love” and Juveniles’ “Back That A** Up”, and included the instrumental to C-Murders “Down For My N*****”. The same day that Homecoming was available for streaming, she released her live album of the same name, which featured her cover of Frankie Beverly and Maze’s “Before I Let Go”, which is a staple at Black functions. Although Coachella’s audience is predominantly White (which made it all the more special that in Homecoming, the camera repeatedly focused on Black audience members), Beyoncé took the opportunity to shine a light on the pure greatness that is Black culture.

While watching Homecoming, one of my greatest sources of joy was that a light was also shone on Black women through voiceovers of icons Nina Simone and Maya Angelou, as well as the many Black women on stage. During Beychella, dancer/choreographer Edidiong Emah was given a solo, and in the film, she says she once felt she was “too short and too thick” and never dreamed she would be there. The space that Black female performers like Edidiong were given onstage was amazing.

In a voiceover, Beyoncé makes a statement that I—and I’m sure many other Black women—could relate to… “As a Black woman, I used to feel like the world wanted me to stay in my little box. And Black women often feel underestimated.” She adds, “I wanted us to be proud of not only the show, but the process and proud of the struggle. Thankful for the beauty that comes with a painful history and rejoice in the pain. Rejoice in the imperfections and the wrongs that are so damn right. And I wanted everyone to feel grateful for their curves, their sass, their honesty. Thankful for the freedom. It was no rules and we were able to create a free, safe space where none of us were marginalized.” Ensuring that her performance made Black women feel prideful, represented, and appreciated was clearly a major priority for her, something that I found very special since the world treats Black women as an afterthought. These women had various skin tones, body types, and skillsets, making Beychella all the more beautiful.

Homecoming provides an insight into the hard work and dedication that was put into Beychella: a stunning display of the beauty that exists in Black culture, Black womanhood, and Black colleges. Black people are the owners of Black culture despite constant attempts to hijack it, and I thoroughly enjoyed watching the love of our culture being celebrated by one of its’ actual, rightful owners. Beychella was the embodiment of “for us, by us” and I will forever appreciate it. 

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