The Alabama Human Life Protection Act

The Alabama Human Life Protection Act, a controversial bill that criminalizes abortion and attempted abortion, was enacted on May 15th, 2019. This act categorizes abortion as homicide and a Class A felony while attempted abortion is now considered a Class C felony. Section 2 letter I, compare the casualties of the Holocaust, the Soviet Regime, and the Rwandan genocide to the estimated “50 million babies… aborted in the United States since Roe v. Wade passed in 1973.” The legislation also defines an unborn child, child, or person as “a human being, specifically including an unborn child in utero at any stage of development, regardless of viability.” It also defines a woman as “a female human being, whether or not she has reached the age of maturity”, (House Bill 314, section 3). One of the most problematic aspects of the bill includes the lack of exception for abortions in the case of impregnation through rape or incest. The passing of the law has resulted in backlash along with praise from those who agree with the legislation.

Not only is this bill incredibly heinous for its lack of empathy but for its lack of inclusion. HB 314 denies any person that is able to get pregnant the choice to terminate that pregnancy, but specifically protects women or “female” people from criminal charges if the mother’s life is at risk. While it is possible for any person of any gender to receive an abortion, this rhetoric does not allow the same protections for trans and non-binary folk, only cis-gender women. Ericka Hart, a queer Black femme, activist, and an accomplished teacher of sex education discusses the dangers that go beyond the bill itself. She states, “One day, people are sharing about abortion being a “women’s issue” – intentionally leaving out trans people and the next day, they are sharing about the death of Black trans women. If the only time you talk about trans existence is when we are gone, you aren’t helping”. Ericka’s studies and work focus on the systemic and historical events that allow for White supremacist, sexist, transphobic and homophobic bills to pass.

This bill will have a significant impact on poor minorities specifically when Black maternal death is a profound and prevalent issue, and currently at an all-time high. There is little to no access to contraception and proper sex education for the impoverished. While the wealthy and middle class can afford birth control, condoms and emergency contraceptives these products are not accessible to people without sufficient income or insurance. When rhetoric like “pro-life” is used it demonizes people who get abortions by implying that they are anti-life or pro-murder. The use of this language creates stigma for people who have already had abortions as well as those in need of an abortion. This stigma leads to shame and isolation which can end in lethal circumstances. To take away the right to a sterile and proper abortion puts countless lives at risk and puts immense financial stress on families. Prioritizing a life that has not yet begun over a life that has current meaningful existence and relationships is hypocritical. The right using the term “pro-life” is a manipulation tactic born out of the desperate need to maintain power and control.

The abortion ban in Alabama brings attention to a lot of systemic issues that plague many government bodies and society as a whole. It is important for the public to be educated correctly on whom these bills affect the most. Unfortunately, the attention tends to gravitate towards the most privileged and powerful leading to the silencing and erasure of marginalized voices. This ban will have negative effects on many and in some cases lead to life-threatening or lethal circumstances. In times like this, it is vital to prioritize those who face immediate danger in the rise of this ban. Audre Lorde, a Black, lesbian, poet, and educator stated, “The master’s tool will never dismantle the master’s house.” This quote remains relevant and impactful in the present. It can help to explain how powerful structures have maintained control and are able to pass an oppressive and dangerous bill like HB 314. If radical and revolutionary means are not taken society cannot progress and the marginalized will continue to suffer at the expense of our collective silence.

Ericka Hart: Twitter, Instagram 

Similar Read: Legal Attack on Women’s Rights to Choose (How Did We Get Here?)

ALABAMA ABORTION BAN IS TAKING WOMEN BACK TO THE DARK AGES

As the news of the Alabama abortion ban reached my ears, I got shivers down my entire body. A body that I own, that I cherish–most days at least–, a body I now realize that some men think doesn’t actually belong to me.

Back in the Middle Ages, men were actually convinced women, dripping blood once a month, were the incarnation of Satan, orgasms were a devilish force men were warned not to release and the uterus was held responsible for every strange ailment women seemed to be so prone to displaying, such as… sadness. You would think people in 2019 know better. You would be mistaken then.

By denying women the right to own their bodies and to decide whether or not they feel ready to bring a child into this world, these men bring us back to these dark ages of ignorance and cruel patriarchy. By excluding rape and incest as valid reasons to deny women, and unfortunately sometimes girls, the right to overcome nature and make a rational decision, these men show how little they know about women, abortion and health. By implementing the heartbeat rule, they demonstrate their lack of awareness of basic biology. Unless you’ve been trying for a baby and are taking pregnancy tests regularly, or have a very regular cycle, 6 weeks is often the moment the pregnancy is discovered. I was 8 weeks pregnant when my gynecologist told me there was no heartbeat. After enduring a very traumatic surgical procedure to clear my uterus, as I was crying my heart out my (male) therapist told me, “You haven’t lost a baby. You’ve lost a fetus.” So it’s fine to rationalize when nature takes its course, but not when a woman takes control of her body? I never went back to this therapist. To this day, it remains one of the most unacceptable things I’ve been told because when you deeply want a baby, or when you get pregnant and feel ready to be a mother, the baby is not only in your belly, but also in your head, in your dreams, in your future.

On the other hand, when the pregnancy is not wanted or can’t be carried out willingly, it turns into a nightmare or a haunting dilemma. What should be taken into account is the potential wreckage of two lives, maybe more, compared to the benefits of constraining a woman to give birth. By refusing to acknowledge most women seeking abortions, especially in searing-poor areas and countries, are victims, and will probably struggle to come to terms with what they had to do, these men confirm that they, in fact, are not men: they are self-entitled idiots with bigotry-caked brains. Sadly, one of them was elected president of the United States, and rallied his peers, swarming over progress like maggots over an open wound. By refusing to accept that men are responsible for their own bodies as well perpetuates a supremacy based on one thing, and one thing only: the medieval fear of women.

Whether a rapist needs a knife, a gun or his hands around a woman’s neck to gain access to her genitals, whether an uncle or a family friend need threats and promises to convince a little girl not to tell anyone that they share a very special secret, whether a husband or boyfriend refuses the use of contraception or press for one more child, whether any religious leader or authority pretends that birth control is against His law, they are all committing the same act of violence against the very beings on whose existence our survival depends. Contraception does not always work, doctors are sometimes wrong, timing may not be adequate, and these are only a tiny portion of the reasons that may lead a woman to end a pregnancy. And you can take my word that any woman who had to undergo this is somehow scarred. Even if she knows there was nothing else she could do. The pro-life argument has to be about the woman in the first place, and empowering girls, giving them the assurance they can choose what is best for them, providing easy and safe access to contraception, ensuring both boys and girls get adequate sex-ed and the right talks on consent, mutual respect and dignity is the only way abortion numbers will fall. Criminalizing abortions will result in tragic deaths, suicides or illegal abortions. Angel makers will operate in backrooms at the cost of human lives, again.

Actress Alyssa Milano suggested a sex strike. What if tomorrow women decided to go on reproductive strike? What if the access to a woman’s reproductive organs were denied indefinitely? What if women decided to force vasectomy on all men by passing a bill stating that males don’t know what they’re doing with themselves and need to be put under strict control, without exception? Or what if we decided to offer these men the Godly mission of caring for all those abandoned children waiting for parents in orphanages? After all, that would solve so many problems, all at once. I have never, ever, heard of a place where men abide by women’s decisions regarding their sexuality. I wish such a place didn’t exist, to be honest. Because the only person who is allowed to make decisions regarding their body and organic functions is the person who lives in that body. Women need to stick together and fight back against this retrograde oppression. And if there’s one thing that is even more unbelievable than a bunch of male politicians imposing such a senseless decision in order to “protect life”, it is women sharing their point of view.

At some point in my life, I had to make the hardest decision of all. I did get an abortion. My doctor had told me there was no way I would ever get pregnant without strong medication. I had already had a miscarriage, so after years of infertility, it felt as if nature was playing the cruelest trick on me. With a future father who chickened out of the picture as fast and sneakily as he could, a family who was appalled at the situation and studies to complete, my choice was the rational one. I was not going to make so many people, including an innocent child, suffer. I still think about it when I look at my beautiful sons, who wouldn’t have been born if I hadn’t made this heartbreaking decision back then. Nurses, doctors, anesthesiologists, counsellors… they were all sorry for me and knew how lonely and desperate I was. A few years later, I sought advice and group therapy helped a lot to appease my grief and guilt. I’m glad and proud to say that in Switzerland, there are measures to protect women who seek such procedures, which are performed in hospitals or private clinics (abortion clinics don’t exist) and paid for by health insurance, and no one is hurling abuse at women entering these facilities to make them suffer through their “walk of shame.” If there were, I’d take my sons and my students there to teach them about dignity, freedom and solidarity. 

Dirty Computer, The Black LGBT+ Representation I’ve Been Waiting For

On April 27th, 2018, Janelle Monáe released her third studio album, Dirty Computer. In addition, she released a 47-minute dystopian, sci-fi short film of the same name that celebrates women, blackness, and queerness. Needless to say, I loved it.

Seeing the Black LGBTQ+ community accurately represented in the media is an ongoing struggle. While films like Moonlight and television shows like Pose have made strides for Black LGBTQ+ representation, there is still more progress to be made. However, Dirty Computer has definitely contributed to that progress. Even from the very first single, “Make Me Feel”, I felt represented while watching the music video where Janelle runs back and forth in between male and female love interests, and I was delighted by the heavy usage of what is referred to as “Bisexual Lighting”, lighting that features pink, purple, and blue—the colors of the Bisexual flag.

In the Dirty Computer Emotion Picture, the protagonist Jane 57821 is in the process of having her memories erased in a facility after being labeled as a “dirty computer” that must be cleaned. Each memory comes in the form of a music video, and these videos give the audience a glimpse into Jane’s life before she was taken. One aspect of her life was her involvement in a polyamorous relationship with characters Zen and Che (played by Tessa Thompson and Jayson Aaron). Each music video is a celebration of femininity, sexuality, and individuality despite society’s attempts to suppress them. 

One of the songs that resonated with me was “I Like That”, the albums’ fourth single which went to #1 on the Adult R&B Songs Chart. Janelle described the song as being about boys “who make the lives of little brown girls so damn hard”, something I instantly related to. Listening to the song always gives me encouragement to embrace nonconformity and all of the things that I like, despite criticism. One line in the song “Sometimes a mystery, sometimes I’m free / Depending on my mood or my attitude / Sometimes I wanna roll or stay at home / Walking contradiction, guess I’m factual and fiction” were incredibly understandable, reminding me that a multidimensional personality should be held on to despite any attempts to be put in a box. This song is very uplifting, as well as “Django Jane”, Dirty Computer’s second single. 

“Django Jane”, is an anthem that celebrates and recognizes Black womanhood. It is a visual and lyrical love letter to our identities, our magic and our strength. Janelle is surrounded by Black women throughout the video, rapping powerful lyrics such as “Black girl magic, y’all can’t stand it”, “We gave you life, we gave you birth, we gave you God, we gave you earth”, and “Move back, take a seat, you were not involved / And hit the mute button / Let the vagina have a monologue”. I feel confident and untouchable very time I hear it.

PYNK, the album’s third single left me in awe when I saw the songs’ visual. There were so many details that I enjoyed, such as Janelle Monáe wearing pants resembling a vagina that Tessa Thompson emerges from. The video included women of various body types and skin tones, some wearing underwear featuring the slogans “Sex Cells” and “I Grab Back”. In one frame, the words “Pussy Power” are seen in neon lights, and towards the end, Janelle and Tessa embrace while watching the sunset. “PYNK” is the ultimate celebration of women’s bodies, sexuality, self-love, and of course, the color pink. 

Watching/listening to Dirty Computer was like breathing fresh air, and I thoroughly enjoyed witnessing a positive light being shined on the communities that society rejects and tosses aside. In her Rolling Stone interview, Janelle Monáe stated: “Being a queer black woman in America, someone who has been in relationships with both men and women – I consider myself to be a free-ass motherfucker.” Dealing with the intersection of oppression that comes along with being a Black, LGBTQ woman means constantly being reminded that personal freedom is a right that the world will routinely attempt to strip away. Janelle Monae’s art, honesty, ingenuity, and confidence in the face of adversity serves as a reminder of just how free I am to be myself, too. Hopefully, throughout 2019, more art like Dirty Computer will be released, giving the Black LGBTQ+ community more representation that we deserve.